Education, Science, Technology, Innovation and Life
Open Access
Sign In

Research on the Modelling Language and Formal Language in Harbin Russian-style Architectural Art

Download as PDF

DOI: 10.23977/langta.2022.050104 | Downloads: 18 | Views: 776

Author(s)

Cui'e Gao 1

Affiliation(s)

1 School of Environmental Arts and Civil Engineering, Heilongjiang University of Technology, Jixi 158100, Heilongjiang, China

Corresponding Author

Cui'e Gao

ABSTRACT

Harbin's Russian-style architecture has experienced hundreds of years of wind and rain, not only showing the context of the historical development of the city of Harbin, but also a microcosm of the historical development of Harbin's unique Russian-style architecture. The formation and development of its architectural art is constantly integrating China. It is gradually formed in the process of elements and has a unique charm. Architectural art belongs to expressive art, which needs to be completed with the help of artistic language such as modeling language and formal language. Therefore, in view of the existing situation of Russian-style architecture in Harbin, this paper analyzes and researches the formal language such as the effect of modeling language and modeling relationship such as point, line, surface, shape, color, light and shadow, material and decoration, etc. in the building, to show Harbin The composition of the Russian architectural image and the aesthetics contained in the expression of artistic modeling. 

KEYWORDS

Russian architecture, Modeling language, Formal language

CITE THIS PAPER

Cui'e Gao, Research on the Modelling Language and Formal Language in Harbin Russian-style Architectural Art. Journal of Language Testing & Assessment (2022) Vol. 5: 44-52. DOI: http://dx.doi.org/10.23977/langta.2022.050104.

REFERENCES

[1] Peng Ming. Building Structure (2nd Edition). Zhengzhou: Yellow River Water Conservancy Press. 2009.9.
[2] Yang Ying.Symbols, Emotions and Forms: On the Expression of Architectural Art. Hebei University. 2005.13.
[3] Luo Wenyuan. Characteristics and basic schema of architectural color modeling. Journal of Harbin Institute of Architecture and Engineering, 1997. (4).
[4] Shu Gan. Aesthetic Foundation of Architectural Design. Beijing: Petroleum Industry Press, 1996.29.
[5] Wen Liulin. Discussion on Aesthetics in Architecture. Building Materials and Decoration. 2011. (7).
[6] Zou Hongqin, Xiong Yongping. Colors of Decorative Graphic Design. 2009. (9).35.
[7] Fan Jie. Research on the design of modern building facade decoration. Chongqing: Chongqing University. 2006.6.
[8] Leng Xianping. Plane Composition. Beijing: Huazhong University of Science and Technology Press. 2011.14.
[9] Chen Wanda. Graphic Composition. Beijing: Huazhong University of Science and Technology Press. 2011.69.
[10] Zhao Jinyuan, Zhang Daming, Wang Kuanxiang, Zhao Zhenquan. The Culture of World Nations: Europe. Beijing: Minzu University Press. 2011. 269.
[11] Shi Yuting. Research on the Application Mode and Prospect of Modern Wood Structure Building in my country. Nanjing: Nanjing Forestry University. 2006.34.
[12] Zhang Jun et al. Analysis of the Formal Beauty of Harbin's "Chinese Baroque" Architectural Decoration Symbols. Huazhong Architecture, 2011(3):136-139.
[13] Tao Weining. The Spread of Russian Orthodox Church in Harbin. History of Heilongjiang. 2006(10):45.
[14] Ye Peng. An Analysis of the "Wood Carving" of Russian-style Residential Buildings in Northern China. Liaoning Journal of Economic Management Cadres. 2009(5):117-118.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.