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A Comparative Study of the Rhythm between "the Book of Songs" and the Poems of the Arabic Jahiliyyah Period

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DOI: 10.23977/langta.2019.21002 | Downloads: 4 | Views: 54

Author(s)

Lixia Zhang 1

Affiliation(s)

1 School of Liberal Arts, Shandong University of Technology, Zibo 255049, China

Corresponding Author

Lixia Zhang

ABSTRACT

The Book of Songs and the poetry of the Arab Jahiliyyah period are different in the rhythm as the most important feature of poetry: the rhythm of the Book of Songs is not obvious, mainly relying on the intensive rhyming and overlapping of poems. The melody that constitutes the loop is a kind of calm, elegant, soothing and soft, with the subtle and gentle artistic conception of Chinese painting. The rhyme of the Arab Mongolian poetry is strict, and the rhyme is mainly based on the nature of the poetry. The melody is artistically expressive and enthusiastic, with a dynamic rhythm and magnificent beauty. This difference is related not only to the characteristics of the two languages, but also to the region in which the poetries are produced and developed, the background of the times, the economic form, and the level of cultural development.

KEYWORDS

Rhyme, repetition, weight, length

CITE THIS PAPER

Lixia Zhang, A Comparative Study of the Rhythm between "the Book of Songs" and the Poems of the Arabic Jahiliyyah Period. Journal of Language Testing & Assessment (2019) 2: 13-17. DOI: http://dx.doi.org/10.23977/langta.2019.21002.

REFERENCES

[1] Zhu Ziqing: On "The Meaning", see "The Complete Works of Zhu Ziqing", Volume 4, and Nanjing: Jiangsu Education Press, 1990, 542.
[2] Sun Zeming: "On the Rhythm of Chinese Poetry in the Sound System", Journal of Changshu Institute of Technology, 2013, (1)
[3] (Switzerland) Wolfgang Kaiser, translated by Chen Yu, works of language, Shanghai: Shanghai Translation Publishing House, 1984, 320-321.
[4] Huang Mei: "Rhythm and Significance: Theoretical Study of Russian Poetics in the 20th Century", Beijing: People's Publishing House, 2007, 195.
[5] Luo Niansheng: "Symbols and Meanings", in Ta Kung Pao and Poetry, April 17, 1936.
[6] ابراهيم ابو عواد : فلسفة المعلقات العشر, دار الايام للنشر و التوزيع, 2015 الاردن _ عمان4

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