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The Criticism of the Spectacle in F. Scott Fitzgerald's The Crack-up

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DOI: 10.23977/langl.2023.061403 | Downloads: 22 | Views: 378

Author(s)

Xiaorui Chen 1

Affiliation(s)

1 College of Foreign Languages, Nanjing University of Aeronautics and Astronautics, Nanjing, Jiangsu, 210000, China

Corresponding Author

Xiaorui Chen

ABSTRACT

The Crack-up is a record of Fitzgerald's insights and critiques of life experiences late in his writing career. By documenting different landscapes in American society, it exposes the money-worship, consumerism, materialism, and blind admiration for celebrity in American society during the Jazz Age, which was so prevalent that people became spiritually empty and anxious, even to the point of confusion and disillusionment. This paper aims to explore the typical societal spectacles in The Crack-up through Guy Debord's theory— the society of the spectacle and analyze its causes and consequences. Thus, it exposes a cycle of "materialism beginning- consumerism boosting materialism- social pressure stimulating anxiety - treating material things more cynically".

KEYWORDS

The Crack-up; Fitzgerald; Spectacle; Guy Debord; the Jazz Age

CITE THIS PAPER

Xiaorui Chen, The Criticism of the Spectacle in F. Scott Fitzgerald's The Crack-up. Lecture Notes on Language and Literature (2023) Vol. 6: 12-19. DOI: http://dx.doi.org/10.23977/langl.2023.061403.

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