Subjective Freedom: Expressions of Lesbianism from Multiple Perspectives in the Handmaiden—Thematic Expressions of Lesbianism
DOI: 10.23977/mediacr.2023.040202 | Downloads: 15 | Views: 642
Author(s)
Menghan Wang 1
Affiliation(s)
1 Department of Arts and Humanities, University College London, London, WC1E 6BT, UK
Corresponding Author
Menghan WangABSTRACT
In the Korean film The Handmaiden, director Park Chan-wook does not adopt conventional narrative enmities or present traditional ethics. Instead, he uses lip close-ups to amplify the lust contained within the bodies of the protagonists. This is gradually brought to the foreground, where subjective freedom is expressed through various kinds of tension between the film's characters. The present study analyses the film's thematic expression and narrative characteristics of lesbianism.
KEYWORDS
Korean film; Lesbianism; Multiple perspectives; The HandmaidenCITE THIS PAPER
Menghan Wang, Subjective Freedom: Expressions of Lesbianism from Multiple Perspectives in the Handmaiden—Thematic Expressions of Lesbianism. Media and Communication Research (2023) Vol. 4: 7-10. DOI: http://dx.doi.org/10.23977/mediacr.2023.040202.
REFERENCES
[1] Wang Q. Identity politics, subculture and discourse controversy in homosexual studies. Journal of Yunnan Minzu University: Philosophy and Social Sciences.2016: 33(2),9.
[2] Lee G. (2017).A psychoanalytic approach to the movie. The Handmaiden.
[3] Wise S. (2012). The representation of women in contemporary South Korean cinema: The work of Park Chan-wook and Kim Ki-duk.
[4] Liu J, Zhang J F (2009). A review on models of homosexuality identity development. Advances in Psychological Science.
[5] Cowie E. (2019). Feminism, Film, and Theory Now. Re-reading the Monstrous-Feminine.
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