Author(s)

Pianpian Liang ¹

Affiliation(s)

¹ Nanjing Audit University Jinshen College, Nanjing, Jiangsu, 210023, China

Corresponding Author

Pianpian Liang

ABSTRACT

The binding of ancient Chinese books has undergone thousands of years of development and evolution, and wire binding is the last form of ancient binding, and it is also the most representative stage performance of ancient books [1], with distinctive Chinese characteristics and the spirit of the times, it has become a symbol of cultural value with Chinese characteristics, containing the wisdom and aesthetic concepts of the ancients [2]. Therefore, through the understanding and refinement of the content of wire-bound books, the material, style, color analysis of wire-bound books, and the rich cultural heritage of wire-bound books, the design of wire-bound books has never stopped moving forward, and there have been changes and breakthroughs at each stage, so as to enrich the connotation and charm of the design, so that the design of wire-bound books has become a more powerful weapon for designers to express emotions and transmit important languages.

KEYWORDS

Wire-bound books, cultural values with Chinese characteristics, cultural connotations

CITE THIS PAPER

Pianpian Liang, An exploration of the design of traditional wire-bound books from the perspective of cultural confidence. Lecture Notes on Language and Literature (2022) Vol. 5: 37-41. DOI: http://dx.doi.org/10.23977/langl.2022.050409.

REFERENCES

[1] Li Yuliang. (2015). Book Design [M]. Beijing: People's Posts and Telecommunications Press.
[2] Liu Shuo. (2021). Exploring the Inheritance and Innovation of Traditional Wire-Bound Books [J]. Daguan, 7, 35-36.
[3] Luo Xianxia. (2015). On the Cultural Connotation of Ancient Chinese Wire-Bound Books [J]. Journal of Changchun Institute of Education, 2(31), 16-17.
[4] Wang Hongxiang. (2014). The Personality Aesthetics and Expression of "Line" in Modern Wire-Bound Books [J]. Journal of Zhejiang Art Vocational College, 12, 119-123.
[5] Hu Yanqin. (2018). Analysis of the Cultural Connotation and Artistic Conception of Book Binding Design [J]. Journal of Heihe University, 9, 205-206.
[6] Wang Nana. (2008). Chinese Wire-Bound Books and Their Aesthetics [J]. Art 100, 5, 259-260.
[7] Ying Yan. (2014). Cultural Connotation of Book Binding Design [J]. Packaging Engineering, 22, 89-92.

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