Author(s)

Kongxuan Xu ¹

Affiliation(s)

¹ College of Music, Hengyang Normal University, Hengyang, 421002, China

Corresponding Author

Kongxuan Xu

ABSTRACT

Some people ask, “why do most of the Miao people in Western Hunan still live in mountains and valleys?” At that time, they were forced to work together to fight against the national treasures of the west, but they were forced to struggle against the national treasures of the West because of the oppressive policies of the ethnic minorities. Since ancient times, Miao songs in Western Hunan have also been an indispensable part of Miao people's daily life. Because Miao people have no written expression, their cultural and artistic heritage can only be realized in the form of song and music. Their usual joy, anger, sadness and joy are also reflected in Miao songs vividly. In the big garden of Chinese folk music, Xiangxi Miao song also has its own unique beauty.

KEYWORDS

Xiangxi, Miao folk songs, Generation, Classification

CITE THIS PAPER

Kongxuan Xu. The Generation and Classification of Miao Folk Songs in Western Hunan. Advances in Educational Technology and Psychology (2021) 5: 121-125. DOI: http://dx.doi.org/10.23977/aetp.2021.56020.

REFERENCES

[1] Zou Boke. “A small rebellion in 30 years and a big rebellion in 60 years”. In 276, Miao people revolted for more than 30 times “[J]. Xiaoxiang Morning Herald, 2014(3).
[2] Engels. The role of labor in the transition from ape to man [D]. People's Publishing House, 1952.
[3] Lu Qun. Religious Perspective of Miao and Wu Culture [J]. Guizhou Nationalities Press, 2000(1).
[4] Lei Huiling. Research on the Singing Art of Miao Folk Songs in Western Hunan [J]. Master thesis of Hunan Normal University, 2006(3).
[5] Hu Yuanhui. Investigation and Research on the Sexual characteristics of Miao and Tujia Folk Songs in Baojing County, Western Hunan [D]. South China Normal University, 2004.
[6] Huang Shumei. Ordos Short key Folk Song and its singing method [D]. Central University for Nationalities, 2003.

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