Understanding the Role of Public Engagement in the Digital Preservation of Chinese Intangible Cultural Heritage—Taking TikTok as an Example
DOI: 10.23977/mediacr.2024.050326 | Downloads: 27 | Views: 316
Author(s)
Xinyi Cheng 1
Affiliation(s)
1 Hunan Shangya Culture Communication Co., Ltd, Xiangtan, 411100, China
Corresponding Author
Xinyi ChengABSTRACT
With the popularity of ICH content on TikTok, scholars have begun to pay more attention to its digital preservation function and its role in ICH protection. On the one hand, TikTok can introduce intangible cultural heritage to a wider audience through fragmented narratives, new perspectives, micro-expressions, and interesting stories; on the other hand, it can also increase the commercial value of its carriers. However, there are still some problems such as homogenization and repetition, lack of connotation, and cultural authenticity distortion. Previous studies mainly focused on the platform, ICH carriers, and short video creators, but ignored the user's point of view. Based on this background, this paper takes the protection of ICH on TikTok as the research background and selects Jiang Xunqian's (September) iron flowers creation video as the object of study. By analyzing the comments of the video, this paper explores the public participation function of TikTok short videos for ICH digital preservation. The results show that public participation has a positive effect on ICH digital preservation. In particular, women as viewers, creators or potential ICH carriers actively participate in ICH protection through public participation and revitalize it. This not only shows the importance of adding female perspectives but also reveals the new vitality brought by public participation to ICH protection.
KEYWORDS
Intangible Cultural Heritage, digital preservation, TikTokCITE THIS PAPER
Xinyi Cheng, Understanding the Role of Public Engagement in the Digital Preservation of Chinese Intangible Cultural Heritage—Taking TikTok as an Example. Media and Communication Research (2024) Vol. 5: 174-187. DOI: http://dx.doi.org/10.23977/mediacr.2024.050326.
REFERENCES
[1] Wang S, Fu R. Research on the influencing factors of the communication effect of Tik Tok short videos about intangible cultural heritage[C]//Advances in Creativity, Innovation, Entrepreneurship and Communication of Design: Proceedings of the AHFE 2020 Virtual Conferences on Creativity, Innovation and Entrepreneurship, and Human Factors in Communication of Design, July 16-20, 2020, USA. Springer International Publishing, 2020: 275-282.
[2] Graziani T. How Douyin became China’s top short-video App in 500 days [J]. WalktheChat. October, 2018, 21: 2018.
[3] Yan H. World heritage craze in China: Universal discourse, national culture, and local memory[M]. Berghahn Books, 2018.
[4] Syu Y S, Chen L, Tu Y F. A case study of digital preservation of motion capture for Bā Jiā Jiāng performance, Taiwan religious performing arts[C]//Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection: 7th International Conference, EuroMed 2018, Nicosia, Cyprus, October 29–November 3, 2018, Proceedings, Part II 7. Springer International Publishing, 2018: 103-110.
[5] Yang H. The pros and cons about the digital recording of intangible cultural heritage and some strategies[J]. The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 2015, 40: 461-464.
[6] Yi Y. Negotiating performance between policy and platform—heritage practice of a Chinese craftsperson on Douyin (TikTok)[J]. International Journal of Heritage Studies, 2023, 29(10): 1089-1109.
[7] Guangmei H. Analysis of the Tiktok (China)'s Traditional Culture Communication Innovation[J]. Media and Communication Research, 2022, 3(1): 43-48.
[8] Jannach D, Ludewig M. When recurrent neural networks meet the neighborhood for session-based recommendation[C]// Proceedings of the eleventh ACM conference on recommender systems. 2017: 306-310.
[9] Morales-i-Gras J, Orbegozo-Terradillos J, Larrondo-Ureta A, et al. Networks and stories. Analyzing the transmission of the feminist intangible cultural heritage on twitter[J]. Big Data and Cognitive Computing, 2021, 5(4): 69.
[10] Yang A. Digital protection mode of intangible cultural heritage in China[J]. International Journal of Frontiers in Sociology, 2021, 3(16): 104-113.
[11] Muhammad T, Kim K M. Sustainable and ICT-enabled development in developing areas: An e-heritage e-commerce service for handicraft marketing[C]//Journal of Physics: Conference Series. IOP Publishing, 2018, 989(1): 012009.
[12] Lafreniere D, Weidner L, Trepal D, et al. Public participatory historical GIS[J]. Historical Methods: A Journal of Quantitative and Interdisciplinary History, 2019, 52(3): 132-149.
[13] Yi Y. Negotiating performance between policy and platform—heritage practice of a Chinese craftsperson on Douyin (TikTok)[J]. International Journal of Heritage Studies, 2023, 29(10): 1089-1109.
[14] Wang X, Yu G. Intangible Cultural Heritage and We-Media: The Strategic Design of Chinese Shadow Puppetry Dissemination via Tik Tok[C]//Congress of the International Association of Societies of Design Research. Singapore: Springer Nature Singapore, 2021: 1288-1304.
[15] Cao Z. Study of creatively popular short videos for Chinese intangible cultural heritage[C]//2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022). Atlantis Press, 2022: 103-106.
[16] Wang B, Jia M, Liu Q. Text analysis for TikTok comments on World Intangible Cultural Heritage: a case of Chaozhou woodcarving[C]//4th International Conference on Information Science, Electrical, and Automation Engineering (ISEAE 2022). SPIE, 2022, 12257: 527-532.
[17] Zhang Z. Infrastructuralization of Tik Tok: Transformation, power relationships, and platformization of video entertainment in China[J]. Media, Culture & Society, 2021, 43(2): 219-236.
[18] Zheng S. Safeguarding food heritage through social media? Between heritagization and commercialization[J]. International Journal of Gastronomy and Food Science, 2023, 31: 100678.
[19] Shubham Singh. How Many People Use TikTok (2024 Statistics). demandsage. August 20, 2024. https://www.demandsage.com/tiktok-user-statistics/
[20] Central Radio and Television Network. Tiktok 2022 Intangible Cultural Heritage Data Report: Video playback of endangered intangible cultural heritage increased by 60% year on year. June 12, 2022. http://news.cnr.cn/local/dfrd/jj/20220612/t20220612_525861440.shtml
[21] Attané I, Attané I. The Status of Women in Traditional Chinese Society[J]. The Demographic Masculinization of China: Hoping for a Son, 2013: 91-98.
[22] Yu Y, Sui H. The anxiety over soft masculinity: A critical discourse analysis of the "prevention of feminisation of male teenagers" debate in the Chinese-language news media[J]. Feminist Media Studies, 2023, 23(5): 2188-2201.
[23] Stewart R, Wright B, Smith L, et al. Gendered stereotypes and norms: A systematic review of interventions designed to shift attitudes and behaviour[J]. Heliyon, 2021, 7(4).
[24] Simões R B, Baeta A D, Costa B F. Mapping feminist politics on Tik Tok during the COVID-19 pandemic: A content analysis of the hashtags# feminismo and# antifeminismo[J]. Journalism and Media, 2023, 4(1): 244-257.
Downloads: | 10926 |
---|---|
Visits: | 186390 |
Sponsors, Associates, and Links
-
Journal of Language Testing & Assessment
-
Information and Knowledge Management
-
Military and Armament Science
-
Journal of Human Movement Science
-
Art and Performance Letters
-
Lecture Notes on History
-
Lecture Notes on Language and Literature
-
Philosophy Journal
-
Science of Law Journal
-
Journal of Political Science Research
-
Journal of Sociology and Ethnology
-
Advances in Broadcasting