Author(s)

Li Xin ¹

Affiliation(s)

¹ School of the Arts, Zhejiang Normal University, Jinhua, 321000, China

Corresponding Author

Li Xin

ABSTRACT

Yuefu chuansheng was published in the 13th year of Qianlong in the Qing Dynasty. The author Xu Dachun not only inherited the previous opera research, but also carefully studied the singing practice in the early Qing Dynasty and systematically studied the formation of sound cavity. This work contains 35 chapters, including the words, singing, decision, emotion and other aspects of Kunqu opera singing, which has a very important reference significance for Chinese vocal music singing, and lays a profound foundation for the development of Chinese national vocal music singing. With the theme of "vocal cavity formation", the book discusses the three parts of "physiological basis", "language basis" and "music selection", reflecting the gradual and logical structural relationship.

KEYWORDS

Yuefu chuansheng, Xu Dachun, Drama, Singing Theory

CITE THIS PAPER

Li Xin, The Role and Value of Yuefu Chuansheng in the Formation of Chinese Opera Sound Cavity. Art and Performance Letters (2023) Vol. 4: 19-22. DOI: http://dx.doi.org/10.23977/artpl.2023.041204.

REFERENCES

[1] Yuan Yuan (2021). Reference and development of traditional Kunqu opera singing technology by Chinese national vocal music. Harbin Normal University. 
[2] Bai Ning (2022). Xu Dachun's "Yuefu Chuansheng" .Shanghai Theatre Academy. 
[3] Li Huiping (2019). On the practical value of the theory of "character, cavity, board and emotion" in Yuefu Chuansheng. Inner Mongol Normal University. 
[4] Pan Mingdong (2018). Research on the Sound cavity aesthetic thought of Yuefu Chuansheng. Nanjing University of the Arts. 
[5] Pan Mingdong (2017). The generation of the Sound of Yuefu Chuansheng. Journal of Nanjing University of the Arts (Music and Performance), vol.57, no.2, p.82-89. 
[6] Yu Weimin (2022). Xu Dachun's "Yuefu Chuansheng". Opera art, vol.43, no.3, p.1-8.

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