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A Brief Analysis of the Main Arias of the Musical "Jinsha" Singing in Different Versions

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DOI: 10.23977/artpl.2023.041112 | Downloads: 8 | Views: 257

Author(s)

Xu Han 1

Affiliation(s)

1 Department of Korean Music, Jeonbuk Natiomal University, Jeonju City, Jeollabuk-do, South Korea

Corresponding Author

Xu Han

ABSTRACT

Musical theater that originated in the 19th century has developed from the original operetta (Operetta), comedy (Comedy) and black drama (Minstrel Shows) to the singing style that is now popular among the public. The development of Chinese musicals began in the 1980s. At the beginning, mature musicals from abroad were introduced and performed on domestic stages. Until the emergence of domestic original musicals in the 21st century, domestic musicals developed rapidly. I will perform a singing analysis on one of the more important boys' arias in "Jinsha" and conduct a comparative analysis on several of its more popular versions. The analysis of this piece is for us students to learn the singing methods and skills so that we can better show on the stage.

KEYWORDS

Sands; Original musical; Different versions; Singing

CITE THIS PAPER

Xu Han, A Brief Analysis of the Main Arias of the Musical "Jinsha" Singing in Different Versions. Art and Performance Letters (2023) Vol. 4: 77-81. DOI: http://dx.doi.org/10.23977/artpl.2023.041112.

REFERENCES

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[2] Zhang Haoming. Analysis of interpretation of the male solo arias "Someday" and "Beyond the horizon" in the musical "Jinsha" [J]. Drama House, 2019(12):54.
[3] Huang Cuiya. A brief analysis of the creative style of the Chinese musical "Jinsha" [J]. China High-tech Zone, 2018 (09):296.
[4] Cui Jiulong. Analysis of interpretation of male solo arias "Someday" and "Beyond the horizon" in the musical "Jinsha" [D]. Nanjing University of the Arts, 2015.
[5] Luo Xin. Musical characteristics and language skills of the arias of the Chinese musical "Jinsha"[D]. Sichuan Normal University, 2014.

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