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"Home Coming": Aesthetic Innovation of New Mainstream Films

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DOI: 10.23977/artpl.2023.041109 | Downloads: 14 | Views: 305

Author(s)

Cao Rui 1, Chen Longshuai 1

Affiliation(s)

1 Literature and Media Department, Taishan University, Tai'an, China

Corresponding Author

Cao Rui

ABSTRACT

The movie "Home Coming" is based on the real evacuation of overseas Chinese and tells the story of Chinese diplomats who went through many dangers in a war-torn foreign country to evacuate their overseas Chinese and return home. The film creates characters through realism and de-heroism, enriches the emotional expression of new mainstream movies, breaks the fixed hero image in previous new mainstream movies, and creates a three-dimensional and full character image. It is an innovation and pioneering effort to tell Chinese stories well and convey the voice of China to the outside world. It has achieved the aesthetic innovation effect of new mainstream movies and has made new progress.

KEYWORDS

Narrative style, characterization, emotional expression

CITE THIS PAPER

Cao Rui, Chen Longshuai, "Home Coming": Aesthetic Innovation of New Mainstream Films. Art and Performance Letters (2023) Vol. 4: 54-58. DOI: http://dx.doi.org/10.23977/artpl.2023.041109.

REFERENCES

[1] Zhang Wei, Chen Xuguang, Zhao Weifang, Liang Zhenhua, Huangfu Yichuan, Zhang Junlong. Definition•Evolution•Strategy—A discussion on new mainstream blockbusters [J]. Contemporary Film, 2017(01).
[2] Xie Jin. My pursuit of the art of directing [M]. Beijing: China Film Publishing House, 1998(10).
[3] Chen Xuguang. "Home Coming": Round characters, "Homecoming" epic prototype and "in-system author" strategy [J]. Film Art, 2022(06).

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