Education, Science, Technology, Innovation and Life
Open Access
Sign In

The Evolution of the Music Industry in the Digital Age: From Records to Streaming

Download as PDF

DOI: 10.23977/jsoce.2023.051002 | Downloads: 170 | Views: 952

Author(s)

Xiaorui Guo 1

Affiliation(s)

1 School of Film, Jilin Animation Institute, Changchun, Jilin, 130000, China

Corresponding Author

Xiaorui Guo

ABSTRACT

The music industry has undergone a profound transformation in the digital age, shifting from traditional physical media to digital formats and streaming services. This article provides an overview of this evolution, emphasizing key milestones and trends. It begins by exploring the dominance of physical media, such as vinyl records, cassette tapes, and CDs, and the impact of these formats on music distribution and consumption. The digital revolution is then examined, highlighting the emergence of digital music formats like MP3 and AAC, along with pioneering services like Napster and iTunes that facilitated digital music consumption. The subsequent section discusses the rise of streaming services like Spotify and Apple Music, which have redefined how music is accessed and monetized. In the current landscape, several trends are shaping the music industry, including the integration of artificial intelligence (AI) for music recommendation and composition, blockchain technology for transparent royalty tracking, and the use of non-fungible tokens (NFTs) to tokenize music ownership. Finally, the article speculates on the future of the music industry in the digital era, considering possibilities such as virtual reality (VR) and augmented reality (AR) experiences for live performances and the evolving role of social media in music trends and fan engagement. As the music industry continues to adapt to technological advancements and changing consumer preferences, it faces both opportunities and challenges. Navigating these shifts requires collaboration, innovation, and a commitment to fairly compensating artists. The journey of the music industry through the digital age is a dynamic narrative that will continue to unfold in fascinating ways.

KEYWORDS

Music industry, digital age, physical media, streaming services, digital revolution, AI, blockchain, NFTs, virtual reality, social media, artist compensation

CITE THIS PAPER

Xiaorui Guo, The Evolution of the Music Industry in the Digital Age: From Records to Streaming. Journal of Sociology and Ethnology (2023) Vol. 5: 7-12. DOI: http://dx.doi.org/10.23977/jsoce.2023.051002.

REFERENCES

[1] Collet, B., Rémy, E., et al. Exploring the (un) changing nature of cultural intermediaries in digitalised markets: insights from independent music [J]. Journal of Marketing Management, 2023, 39(1):443-469.
[2] Qu, S., Hesmondhalgh, D., Xiao, J., et al. Music streaming platforms and self-releasing musicians: the case of China [J]. Information, Communication & Society, 2023, 26(4):699-715.
[3] Kiresci, A., et al. The impact of innovative technologies on small players in the recorded music sector: a chronological overview [J]. Creative Industries Journal, 2023, 16(1):96-111.
[4] Holt, R., Wiedner, R., et al. Technology, Maturity, and Craft: Making Vinyl Records in the Digital Age [J]. Business Ethics Quarterly, 2023, 1:1-33.
[5] Hagen, A. N., et al. Datafication, literacy, and democratization in the music industry [J]. Popular Music and Society, 2022, 45(2):184-201.
[6] Geurts, A., Broekhuizen, T., Dolfsma, W., Cepa, K., et al. Tensions in multilateral coopetition: Findings from the disrupted music industry [J]. Industrial Marketing Management, 2022, 105(1):532-547.
[7] Skålén, P., Gummerus, J., et al. Conceptualizing services and service innovation: A practice theory study of the Swedish music market [J]. Journal of Service Research, 2023, 26(1):83-102.
[8] Denk, J., Burmester, A., Kandziora, M., Clement, M., et al. The impact of COVID-19 on music consumption and music spending [J]. Plos one, 2022, 17(5):e0267640.
[9] Kjus, Y., et al. License to stream? A study of how rights-holders have responded to music streaming services in Norway [J]. International Journal of Cultural Policy, 2022, 28(1):61-73.
[10] Watson, J., MacGarvie, M., McKeon, J., et al. It was 50 years ago today: Recording copyright term and the supply of music [J]. Management Science, 2023, 69(1):351-376.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.