Author(s)

Luya Wang ^1,2, Nor Azlin Hamidon ¹

Affiliation(s)

¹ Universiti Teknologi Mara, Shah Alam, Selangor Darul Ehsan, 40450, Malaysia
² Jinzhong University, Jinzhong, Shanxi, 030606, China

Corresponding Author

Luya Wang

ABSTRACT

Calligraphy aesthetics is a branch of Chinese aesthetics that gradually formed under the integration of Chinese and Western cultures, and the aesthetics of inscriptions is an important branch of calligraphy aesthetics. In the contemporary context, constructing the aesthetics of inscriptions in the Chinese aesthetic system is of great significance for contemporary calligraphy appreciation, creation, and aesthetics. It is an essential perspective and element in calligraphy appreciation, which can promote contemporary people's aesthetic understanding and stylistic expression of classical calligraphy from past dynasties, better inherit the beauty of Chinese calligraphy art, carry out calligraphy creation, promote the Chinese spirit, and enhance cultural confidence.

KEYWORDS

Calligraphy aesthetics; Inscriptions; Appreciation; Value study

CITE THIS PAPER

Luya Wang, Nor Azlin Hamidon, Aesthetic and Value Study of Inscriptions from the Perspective of Calligraphy. Art and Performance Letters (2023) Vol. 4: 44-49. DOI: http://dx.doi.org/10.23977/artpl.2023.041107.

REFERENCES

[1] Zhao Chao. Introduction to Ancient Chinese Stone Carvings [M]. Cultural Relics Publishing House: Beijing,1997.
[2] Zeng Zhaojun. A Study on the words in Educational Stelae in Song Dynasty [D]. Southwest University,2013.
[3] Wang Xin. A Brief discussion on Sui Dynasty stone carving calligraphy in Shangdang Area [J]. Chinese Calligraphy, 2020, (10):186-191.
[4] Ni Genjin. The evolution of Chinese traditional forest protection inscriptions and their value in the study of environmental history [J]. Agricultural Archaeology, 2006 (04): 225-233 +249.
[5] Yan Shujun. Preliminary study on forestle-related inscriptions in Daba Mountain area during historical period [J]. Agricultural Archaeology, 2018 (06): 167-173.
[6] Zhou Jinsong. Selection and Transformation of regular script font for book printing and engraving in Song Dynasty [J]. Chinese Calligraphy and Painting, 2019(01):17-21.

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