Author(s)

Cao Rui ¹, Qiu Ruixuan ¹

Affiliation(s)

¹ Literature and Media Department, Taishan University, Tai'an, China

Corresponding Author

Cao Rui

ABSTRACT

The movie "Hidden Blade" was released during the Spring Festival. As a special New Year's film, it is full of exquisite "Cheng Er" style in both subject matter and content. The film uses a puzzle-style narrative in a turbulent era to create an immersive and ultimate beauty, bringing the audience better audio-visual enjoyment. As an atypical theme movie, "Hidden Blade" is not a "mission target" spy movie, but more of a "Cheng Er style". Between "change" and "unchangedness", he not only retains his own personality and style, but also creates new commercial films that transcend the assembly line production model.

KEYWORDS

Cheng Er, artistic expression, metaphor, non-linear narrative

CITE THIS PAPER

Cao Rui, Qiu Ruixuan, "Hidden Blade": The Integration of Commerce and Art. Art and Performance Letters (2023) Vol. 4: 1-6. DOI: http://dx.doi.org/10.23977/artpl.2023.041101.

REFERENCES

[1] Liu Luoqi, Bai Chen. Director Cheng Er: "Hidden Blade" is "ready to drink after opening the lid" [N]. China Film News, 2023-02-01(007).
[2] Zhang Cheng. The potential and limits of non-linear narrative revolutionary images - a review of the film "Hidden Blade" [J]. Literary Theory and Criticism, 2023(03):112-118.
[3] Cheng Er, Hou Keming, Su Yang. "Hidden Blade": The serious creation of "super commercial film" - Interview with Cheng Er [J]. Film Art, 2023(02):97-103.
[4] Zhou Zhou. "Hidden Blade": a "Napoleon cake" with a three-layer structure of "espionage + epic + history" [N]. China Film News, 2023-02-08(007).
[5] Xia Qingquan. "Hidden Blade": Gaze, Tension and Multiple Possibilities of Genre Film Narration [J]. Contemporary Film, 2023(02):35-38.
[6] Meng Zhong. New aesthetic narrative: Fauvism and pointillist narrative - analysis of the play "Hidden Blade" [J]. Film Criticism, 2023(02):24-27.
[7] Zhou Dan. Movie "Hidden Blade": Aesthetic art after time reorganization [J]. Audiovisual, 2023(07):14-17.  

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