Author(s)

Chang Yuan ¹

Affiliation(s)

¹ Ocean University of China, Qingdao, China

Corresponding Author

Chang Yuan

ABSTRACT

The progenitor of cyberpunk, William Gibson, in his anthology of short stories titled Burning Chrome, meticulously crafts a portrayal of human survival within a near-future world characterized by the paradoxical juxtaposition of advanced technology and societal degradation encapsulated by the adage "high-tech, low-life." This paper converges its analytical lens on the narrative's delineation of alienated corporeal manifestations, fragmented mnemonic constructs, and the disillusionment of utopian aspirations. Under the pervasive infiltration of capitalist hegemony, the human body metamorphoses into vessels, symbols, and offerings, becoming integral to the construction and functioning of the societal fabric. Manipulated through the agency of information technology, the fragmentation and rupture of individual memories instigate the attenuation of emotional resonance and the perturbation of identity. At the same time of the disintegration of subjectivity, human hope is directed to the futile pursuit of conceptualization and utopia. Gibson's introspective reflections and metaphorical allusions to contemporary authenticity stand out through a careful exploration of the collective dilemmas facing humanity in an urgent socio-cultural environment.

KEYWORDS

William Gibson; Burning Chrome; body; memory; utopia

CITE THIS PAPER

Chang Yuan, Body, Memory, and Utopia: Exploring the Survival Predicament and Realist Allegory in Burning Chrome. Journal of Sociology and Ethnology (2023) Vol. 5: 38-44. DOI: http://dx.doi.org/10.23977/jsoce.2023.050907.

REFERENCES

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