The Generation and Transcendence of Asian Identity from the Metatheatrical Features of the Yellow Face
DOI: 10.23977/artpl.2023.040905 | Downloads: 30 | Views: 1003
Author(s)
Chang Yuan 1
Affiliation(s)
1 Ocean University of China, Qingdao, China
Corresponding Author
Chang YuanABSTRACT
David Henry Hwang, a distinguished Chinese-American playwright, persists in his examination of Asian cultural identity within the context of his semi-autobiographical and recent creation, The Yellow Face. This theatrical piece has garnered substantial acclaim in the realm of contemporary American theater. However, the current stage of research on this play predominantly focuses on its satire of ethnic identity stereotypes, without establishing a connection between its theatrical techniques and underlying themes. Therefore, this paper intends to initiate its analysis from four specific metatheatrical features: "Role-playing within the role," "real-life reference," "the play within the play," and "self-reference." It will separately explore the generation of performative Asian identity, the otherization of Asian identity, and the resolution through an ethnically integrated community as depicted in The Yellow Face. Additionally, it will examine how the playwright employs these forms of expression to achieve both a satirical critique and a transcendence of the entrenched ethnic identity labels.
KEYWORDS
The Yellow Face, metatheatre, Asian identityCITE THIS PAPER
Chang Yuan, The Generation and Transcendence of Asian Identity from the Metatheatrical Features of the Yellow Face. Art and Performance Letters (2023) Vol. 4: 26-32. DOI: http://dx.doi.org/10.23977/artpl.2023.040905.
REFERENCES
[1] Boles, W.C., Understanding David Henry Hwang. 2013, Columbia: University of South Carolina Press.
[2] Abel, L., Metatheatre: A New View of Dramatic Form. 1963, New York: Hill and Wang.
[3] Hornby, R., Drama, Metadrama, and Perception. 1986, London: Associate University Press.
[4] Silvia Milanezi, E.P., Theatre and Metatheatre: Definitions, Problems, Limits. 2021, Berlin: De Gruyter.
[5] Hwang, D. H., Yellow Face. 2008, New York: Theatre Communications Group.
[6] Anderson, B., Imagined Communities: Reflections on the Origin and Spread of Nationalism. 1991, London: Verso.
[7] Butler, J., Notes toward a Performative Theory of Assembly. 2015, Cambridge: Harvard University Press.
[8] Li Yi, The "Yellow peril" and Asian exclusion in the Americas. Pacific Historical Review. 2007, 76(4): p. 537-562.
[9] Kristeva, J., Strangers to ourselves. 1991, New York: Columbia UP.
[10] Foucault, M., Archaeology of Knowledge. 2002, London: Routledge.
[11] Marino, S., A Conversation with David Henry Hwang. The Arthur Miller Journal, 2013(2): p. 4-10.
[12] Schlueter, J., Metafictional Characters in Modern Drama. 1979, New York: Columbia University Press.
[13] Bhabha, H. K., The Location of Culture. 1994, London: Routledge.
Downloads: | 19959 |
---|---|
Visits: | 628537 |
Sponsors, Associates, and Links
-
Journal of Language Testing & Assessment
-
Information and Knowledge Management
-
Military and Armament Science
-
Media and Communication Research
-
Journal of Human Movement Science
-
Lecture Notes on History
-
Lecture Notes on Language and Literature
-
Philosophy Journal
-
Science of Law Journal
-
Journal of Political Science Research
-
Journal of Sociology and Ethnology
-
Advances in Broadcasting