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The Contemporary Chinese Ecological Feminist Theory and Art in Globalization Process

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DOI: 10.23977/artpl.2023.040902 | Downloads: 74 | Views: 512

Author(s)

Xinyi Liu 1

Affiliation(s)

1 University of South China, Solux College of Architecture and Design, Hengyang, Hunan, China

Corresponding Author

Xinyi Liu

ABSTRACT

This article tries to analyze the development process of eco-feminism in China and the West from different perspectives. In the first chapter, researcher will briefly introduce the core ideas of eco-feminist theory and answer what eco-feminism really is and its current state of development. In the second chapter, researcher will explain and discuss the different development trends and development outcomes of ecofeminism in China and the West in different social and cultural contexts, and answer the major similarities and differences between the Chinese and Western ecofeminist theories. In the third chapter, this article will explore the different development methods and trends of eco-feminist art in different social, historical, and cultural contexts of China and the West, then analyze and explain the main differences and common points of eco-feminist art between Chinese and Western eyes. Finally, based on its previous development and current situation, it analyzes and predicts the future development trends of eco-feminism and eco-feminist art, and whether eco-feminist art can have unique value in other academic fields.

KEYWORDS

Eco-Feminist, Art, Chinese

CITE THIS PAPER

Xinyi Liu, The Contemporary Chinese Ecological Feminist Theory and Art in Globalization Process. Art and Performance Letters (2023) Vol. 4: 9-15. DOI: http://dx.doi.org/10.23977/artpl.2023.040902.

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