Author(s)

Siyi Wang ¹, Siwei Wu ^1,2, Cheng Di ^1,2

Affiliation(s)

¹ School of Arts and Communication, China University of Geosciences, Wuhan, Hubei, 430074, China
² Faculty of Fine and Applied Arts, Burapha University, Chonburi, 20131, Thailand

Corresponding Author

Cheng Di

ABSTRACT

From the "17 years" period of the new China after 1949 to the New Era of Socialism with Chinese Characteristics, after decades of development, the creative content and aesthetic style of Chinese Tibetan Theme Films have undergone great changes, which are closely related to the changes of the times. This article will start with the induction of the development of Chinese Tibetan Theme Films in different periods, and analyze and study their aesthetic presentation and aesthetic style in the New Era of Socialism with Chinese Characteristics.

KEYWORDS

Aesthetic Form, A New Era of Socialism with Chinese Characteristics, Tibetan, Film

CITE THIS PAPER

Siyi Wang, Siwei Wu, Cheng Di, A Study on the Aesthetic Form of Chinese Tibetan Theme Films in the New Era of Socialism with Chinese Characteristics. Art and Performance Letters (2023) Vol. 4: 1-8. DOI: http://dx.doi.org/10.23977/artpl.2023.040901.

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