Author(s)

Guo Xi ¹, Siwei Wu ^1,2, Cheng Di ^1,2

Affiliation(s)

¹ School of Arts and Communication, China University of Geosciences, Wuhan, Hubei, 430074, China
² Faculty of Fine and Applied Arts, Burapha University, Chonburi, 20131, Thailand

Corresponding Author

Cheng Di

ABSTRACT

Since the new era, China is in a new stage of development, facing the impact of globalization and marketization, the film and culture industry will continue to move forward, and gradually seek a new development road. During this period, the ethnic minority film and television industry in China developed vigorously, injecting new vitality into the film and television industry. Tibetan-themed film and television creation is the main force of ethnic minority film and television, and has also made remarkable achievements in the new era. It has not only made a new leap in the form of creation, but also diversified in the form. The whole style of creation has also changed a lot, and it has gradually entered the international stage. This paper will mainly introduce the Tibetan theme film and television creation works since 2012 after China's socialism entered the new era, and summarize the outstanding characteristics of Tibetan theme film and television creation in China in the new era.

KEYWORDS

New Era, Tibetan-themed Film and Television, Film and Television Creation

CITE THIS PAPER

Guo Xi, Siwei Wu, Cheng Di, Research on the Creation of Chinese Tibetan-themed Films and Television in the New Era. Art and Performance Letters (2023) Vol. 4: 90-96. DOI: http://dx.doi.org/10.23977/artpl.2023.040816.

REFERENCES

[1] Wen Hao. People's Nature of Literature and Art, Forum on Literature and Art, Issue 1, 2022, page 10.
[2] Lin Liu. The Evolution of Discourse. Discourse Analysis and Research of Tibetan Theme Films in China, master's thesis of Central South University for Nationalities in 2018, page 80-82.
[3] Jiang Dongsheng. Variations in the Narrative Paradigm of Chinese Tibetan Films since the New Century, Film Literature, Issue 12, 2018, page 19.
[4] Wang Guangfei. Research on Chinese Ethnic Minority Films in the Seventeen Years, China Film Press, 2012 edition, page 3.
[5] Lu Jiaxin. Research on Wanma Caidan Film Works from the Perspective of Cultural Identity, master's thesis, China Film Art Research Center, 2022, page 34-35. 
[6] Gao, Z., & Braud, T. C. VR-driven museum opportunities: digitized archives in the age of the metaverse. Artnodes, 2023, (32), 1-14.
[7] Wang Tingting. The Development of Intelligent Optimization Algorithm Art and the Competition Cooperation and Win-win of Natural Protection Environment . Nature Environmental Protection 2022, Vol. 3, Issue 4: 69-77.

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