Author(s)

Zhuang Jingwen ¹

Affiliation(s)

¹ Haikou University of Economics, Haikou, Hainan, 570200, China

Corresponding Author

ABSTRACT

Local culture has laid a deep cultural foundation in the evolution history of thousands of years. These quintessential cultural contents can be applied to dance creation, and can bring a new vitality to dance creation and promote the better development of dance creation. Culture is the spiritual blood of the nation and the poetic homeland of the people. Reinterpreting Hainan local culture with the idea of modern dance drama creation, combining the skills of modern dance drama with local cultural resources, not only shows the uniqueness and aesthetic taste of local national culture, but also plays a certain role in the image construction of Hainan international tourism island. This paper mainly analyzes the application of Hainan local culture in choreography and creation of dance drama, and puts forward effective measures to strengthen Hainan local cultural elements in choreography and creation of dance drama in combination with the problems existing in choreography and creation of dance drama at this stage and the influence of Hainan local culture in choreography and creation, so as to provide some inspiration for choreography and improve the quality of dance works.

KEYWORDS

CITE THIS PAPER

Zhuang Jingwen, Research on the Creation of Dance Drama Based on Hainan Local Culture. Art and Performance Letters (2023) Vol. 4: 66-70. DOI: http://dx.doi.org/10.23977/artpl.2023.040812.

REFERENCES

[1] Chen Yanmin. (2018). Looking at the visual style in dance drama creation from Shawan Past. Journal of Beijing Dance Academy, 2018(6), 3.
[2] Huang Mingzhu. (2015). On the theatricalization of Chinese folk dance cultural resources from the dance drama "Dream of Silk Sea". Journal of Beijing Dance Academy, 2015(5), 6.
[3] Yin Jianhong. (2010). Cultural Situation and Value Pursuit of China Folk Dance Stage Creation—Interview with Professor Guo Lei of Beijing Dance Academy. Journal of Beijing Dance Academy, 2010(2), 10.
[4] Zhang Jianmin. (2011). On the Inheritance and Innovation of China's Dance Drama Creation from the Red Boat Sailing. Journal of Beijing Dance Academy, 2011(4), 4.
[5] Wen Zuoliang. (2015). Introspection of contemporary China dance drama creation driven by market. Journal of Beijing Dance Academy, 2015(1), 3.
[6] Yu Ping. (2018). Cultural introspection and cultural self-confidence of dance drama art—Looking back on the creation of China dance drama in 2017. Art Review, 2018(3), 12.
[7] Ningbo. (2018). Discussion on the Teaching of Dance Creation of Folk Materials—Taking Folk Materials in Guanzhong Area of Shaanxi Province as an Example. Journal of Beijing Dance Academy, 2018(6), 5.
[8] Yu Ping. (2013). The cultural responsibility of the dance drama Confucius. Art Review, 203(11), 4.
[9] Jin Hao. (2010). On the cultural mechanism in contemporary dance creation-also on the artistic characteristics of Zhao Ming's dance works. Journal of Beijing Dance Academy, 2010(2), 6.
[10] Pan Liwei. (2021). Cultural Identity of China's Minority Dance Drama under the Pattern of "Pluralism". Dance, 2021(2), 6.

Sponsors, Associates, and Links

• Journal of Language Testing & Assessment
  
  
• Information and Knowledge Management
  
  
• Military and Armament Science
  
  
• Media and Communication Research
  
  
• Journal of Human Movement Science
  
  
• Lecture Notes on History
  
  
• Lecture Notes on Language and Literature
  
  
• Philosophy Journal
  
  
• Science of Law Journal
  
  
• Journal of Political Science Research
  
  
• Journal of Sociology and Ethnology
  
  
• Advances in Broadcasting