Author(s)

Yanli Yao ¹

Affiliation(s)

¹ School of Film and Media, Shanghai Normal University, Shanghai, 200234, China

Corresponding Author

ABSTRACT

From the actor to the "incarnation" of the role, it is necessary to achieve the internal and external characterization, and at the same time to achieve the unity with the character's psychology, emotion and thought; When creating a character, I deeply feel that only unilateral "performance" or "experience" can be achieved, and there will be a subconscious sense of creation gap in the process of improving the character. When I integrate "performance" and "experience" into one, the "incarnation" of the character will be gradually integrated, instead of being monotonous and repetitive, with only forms or emotions. Performance and experience are indispensable.

KEYWORDS

CITE THIS PAPER

Yanli Yao, Actor to character avatar. Art and Performance Letters (2023) Vol. 4: 79-83. DOI: http://dx.doi.org/10.23977/artpl.2023.040712.

REFERENCES

[1] Dong Jian, Ma Junshan. Fifteen Lectures on Drama [M], Beijing: Peking University Press, 2012.
[2] Lin Hongtong. The Course of Performing Arts - Learning Manual for Actors, Beijing: Communication University of China Press, 2000.
[3] Wang Cizhao. Art Foundation [M], Beijing: Central Conservatory of Music Press, 2006.
[4] Peng Jixiang. Introduction to Art [M], Beijing: Peking University Press, 2015.
[5] Liang Bolong, Li Yue. "Fundamentals of Dramatic Performance" [M], Beijing: China Drama Press, 2004.
[6] Ye Tao, Zhang Mali. The Art of Drama Performance [M], Beijing: China Drama Publishing House, 1990.

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