Analysis of Feminist in the Seventh Sin
DOI: 10.23977/artpl.2023.040707 | Downloads: 27 | Views: 433
Author(s)
Yonghua Shi 1
Affiliation(s)
1 Nanjing University of Science and Technology, Nanjing, China
Corresponding Author
Yonghua ShiABSTRACT
The Seventh Sin is the second adaptation of The Painted Veil written by W. Somerset Maugham, and this paper exploits Kate Millet's sexual politics theory to analyze subtle variations of power relationships in the protagonist Carol's marriage, which supplies a new perspective of understanding Maugham's The Painted Veil and The Seventh Sin.
KEYWORDS
She, Sinner, Feminist analysis, The Seventh SinCITE THIS PAPER
Yonghua Shi, Analysis of Feminist in the Seventh Sin. Art and Performance Letters (2023) Vol. 4: 46-52. DOI: http://dx.doi.org/10.23977/artpl.2023.040707.
REFERENCES
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[3] Han, Q., and Curtis, D. R. Suspicious minds: cinematic depiction of distrust during epidemic disease outbreaks. Medical Humanities, (2021) 47, 248-256.
[4] Holden, P. An Area of Whiteness: The Empty Sign of the Painted Veil. ESC: English Studies in Canada, (1994) 20, 61-77.
[5] Holden, P. Orienting Masculinity, Orienting Nation: W. Somerset Maugham's Exotic Fiction, Westport: Greenwood Press, 1996.
[6] Millett, K. Sexual politics. New York, Columbia University Press, 2016.
[7] Said, E. W. Orientalism. London: Penguin Books, 2003.
[8] Stanova, I. Resilience in the Face of an Epidemic: WS Maugham's the Painted Veil and Its Film Adaptations. The Asian Conference on Media, Communication and Film 2021 Official Conference Proceedings, 2021.
[9] Zhang, L. The Construction of Chinese Image of Western Centralism in Maugham's the Painted Veil in the Context of Western Culture. 2020 3rd International Conference on Interdisciplinary Social Sciences & Humanities, 2020.
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