Author(s)

Zhang Yichen ¹, Yang Dezhong ¹

Affiliation(s)

¹ School of Art, Anhui University of Finance and Economics, Bengbu, 233020, China

Corresponding Author

Zhang Yichen

ABSTRACT

Bian embroidery, which is known as the fifth most famous embroidery in China, originated in the Northern Song Dynasty and has a history of more than a thousand years. However, with the development of time and society, the development and inheritance of Bian embroidery has some unpromising points. This paper researches and discusses the origin and development of Bian embroidery, the characteristics of Bian embroidery, the artistic value of Bian embroidery and the development status of Bian embroidery, focusing on the aesthetic value, cultural value and regional value of Bian embroidery, and puts forward its own views on the development dilemma and countermeasures of Bian embroidery, in order to help the development of Bian embroidery art.

KEYWORDS

Bian embroidery; art value; development status

CITE THIS PAPER

Zhang Yichen, Yang Dezhong, Research on the Artistic Value and Development Status of Bian Embroidery. Art and Performance Letters (2023) Vol. 4: 89-93. DOI: http://dx.doi.org/10.23977/artpl.2023.040515.

REFERENCES

[1] See Wang Suhua. The current situation and development of Kaifeng Bian embroidery [J]. Northern Literature(Second Half Moon). 2011(04):150-151.
[2] Ran Mengyao, Zheng Wenhao, Song Zhenyuan. Kaifeng Bian embroidery visual language characteristics and heritage development path [J]. Western Leather. 2022(02):42-44.
[3] Zhou Ping. On the evolution of Song embroidery and Bian embroidery [J]. Silk. 2011(02):53-56.
[4] Chen Yan. Research on the artistic characteristics and development and protection of Kaifeng Bian embroidery [J]. Ethnic art research.2012(04):83-87.

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