Education, Science, Technology, Innovation and Life
Open Access
Sign In

Study on Illustration Design of Tibetan Costume Culture Theme

Download as PDF

DOI: 10.23977/artpl.2023.040402 | Downloads: 73 | Views: 539

Author(s)

Ju Song 1

Affiliation(s)

1 Academy of Fine Arts, Sichuan Minzu College, No.354, Xuefu Road, Guza, Kangding, Sichuan, China

Corresponding Author

Ju Song

ABSTRACT

Tibetan costume is a unique representative of many ethnic costume cultures in China. Since most Tibetan people live in the southwest plateau or mountainous region, after a long and relatively independent cultural development and evolution, the Tibetan costume culture with regional characteristics and customs has gradually formed. It is also the concentrated embodiment of Tibetan people's religious belief, living habits and cultural aesthetics, with strong regional and ethnic characteristics. This paper first summarizes the Tibetan costume culture and illustration, and then explains the design principles of the Tibetan costume culture theme illustration. Finally, the illustration design of Tibetan clothing culture is analyzed and completed from three aspects: design idea, design orientation and design practice.

KEYWORDS

Tibetan costume culture; Illustration design; Pattern; Color

CITE THIS PAPER

Ju Song, Study on Illustration Design of Tibetan Costume Culture Theme. Art and Performance Letters (2023) Vol. 4: 9-12. DOI: http://dx.doi.org/10.23977/artpl.2023.040402.

REFERENCES

[1] Sangkaizhu Luo. General Theory of Tibetan Culture [M]. China Tibetan Studies Press, 2018(2): 100.
[2] Yuqin Li. A new probe into the division of Tibetan Dress [J]. Ethnic Research, 2007 (1), P21-30.
[3] [German] Hegel. Aesthetics (Vol. 1) [M]. Translated by Guangqian Zhu. Beijing: The Commercial Press, 1979:212.
[4] Yuqin Li. Aesthetic analysis of Tibetan Clothing [J]. Journal of Xizang University (Social Sciences Edition), 2009 (2): 46-52.
[5] Xiaotong Fei. Preface to the Atlas of Chinese Minority Costumes [J]. Xinhua Abstract, 1981 (11): 251-252.
[6] Jing Li. The Times Value of Illustration Design [J]. Art and Design (Theory), 2009 (3): 217-218.
[7] R. Arnheim. Color Theory [M]. Chang You-Ming, trans. Kunming: Yunnan People's Publishing House, 1980:13. 

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.