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Yuan Dynasty Religious Art View

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DOI: 10.23977/artpl.2023.040401 | Downloads: 20 | Views: 426

Author(s)

Zhao Xiaofei 1

Affiliation(s)

1 Academy of Fine Arts, Shanxi University, Taiyuan, Shanxi, 030000, China

Corresponding Author

Zhao Xiaofei

ABSTRACT

The Yuan Dynasty was a special period ruled by ethnic minorities. It was the tradition of the horseback people to give preference to martial arts over literature, and the feudal society developed until the Song Dynasty, when the ritual and music system was complete, and the Yuan Dynasty opened a new horizon for it. On an objective level, the cultural background and the abolition of the imperial examination system by the ruling class made the literati determined to return to seclusion, and on a subjective level, culture was not dominated by Confucian norms, the creative environment was freer, and the arts showed diversified development. The ruling class respected Tibetan Buddhism as the state religion, the literati were indifferent and reclusive, and the common people were happy with the secularism.

KEYWORDS

Yuan Dynasty religious art, Buddhist statues, literati painting

CITE THIS PAPER

Zhao Xiaofei, Yuan Dynasty Religious Art View. Art and Performance Letters (2023) Vol. 4: 1-8. DOI: http://dx.doi.org/10.23977/artpl.2023.040401.

REFERENCES

[1] Song Lian (Ming Dynasty). The History of Yuan Dynasty vol. 202, Liezhuan 89: Shi Lao [Z]. Chinese basic ancient books library
[2] Lv Duo. Covert, Delicate Beauty--A study of late Malla Sakyamuni Buddha Status in National Museum of Nepal [D]. Yunnan Academy of Arts, 2019, 05, p. 35. 
[3] Song Lian (Ming Dynasty). The History of Yuan Dynasty vol. 203, Liezhuan 90:Gong Yi [Z]. Chinese basic ancient books library
[4] Du Jiwen. History of Buddhism [M]. Nanjing: Jiangsu People's Publishing House, 2008, 04, p. 230. 
[5] Li Xifan. General History of Chinese Art, Yuan Dynasty Volume [M]. Beijing: Beijing Normal University Press, 2006, 06, p. 13.

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