Education, Science, Technology, Innovation and Life
Open Access
Sign In

Cross-cultural Study of Aesthetic Concepts and Philosophical Depth—Taking Makeup as an Example of Eastern and Western Aesthetics

Download as PDF

DOI: 10.23977/jsoce.2023.050318 | Downloads: 63 | Views: 564

Author(s)

Jingxuan Wu 1

Affiliation(s)

1 Beijing National Day School, Beijing, 100000, China

Corresponding Author

Jingxuan Wu

ABSTRACT

The innovative design of Chinese makeup is a reflection of the country's own cultural diversity. At the same time, because makeup must exist on the human body, makeup design has been combined with Chinese ethnic characteristics, embodying the unique facial features and Eastern aesthetics of the yellow race. This article reviewed the development history China’s Aesthetic concepts and using makeups as comparison analysis for Eastern and Western aesthetics. Understanding the context and history of diversity and inclusion of innovative makeup design and art development is strengthening the reflection of aesthetic and culture communication.

KEYWORDS

Eastern and Western Aesthetics, makeup analysis, Aesthetic concept, cross-culture study

CITE THIS PAPER

Jingxuan Wu, Cross-cultural Study of Aesthetic Concepts and Philosophical Depth—Taking Makeup as an Example of Eastern and Western Aesthetics. Journal of Sociology and Ethnology (2023) Vol. 5: 121-126. DOI: http://dx.doi.org/10.23977/jsoce.2023.050318.

REFERENCES

[1] Wang P, Morning Cloud Evening Rain (Vol 38, No.1/2, Citizenship Spring/Summer 2010, The Feminist Press at the City University of New York), 49.
[2] Olivia Milburn, The Empress in the Pepper Chamber: Zhao Feiyan in History and Fiction (The University of Washington Press 2021), 55-68
[3] Diana Lobel, Philosophies of Happiness (Columbia University Press 14Nov, 2017), 70-85.
[4] Paul Goldin, The Art of Chinese Philosophy (Princeton University Press, 7Apr, 2020), 150-153.
[5] Lin Zhen, "A Collection of Beauties" (The University of Michigan, 1988), 95-98.
[6] Cao Xueqin, "Dream of Red Mansions" (People's Publishing House, 1981), 150-160.
[7] Fu Yun, Rule-Based Facial Makeup Recommendation System (2017 12th IEEC International Conference on Automatic Face and Gesture Recognition), 26.
[8] Hans Belting, Likeness and Presence: A History of the Image before the Era of Art. (University of Chicago Press, 1994), 105.
[9] Michel Foucault, "Orders of discourse." (Social science information 10.2 (1971)) 7-30.
[10] Baas J, Thurman R A F. Smile of the Buddha: Eastern philosophy and Western art from Monet to today [J]. 2005.
[11] Lerner M, "Spirit matter", (Charlottesville: Walsch Books 2000), 45-50. 

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.