Visual Communication Design in the Changing Chinese Society
DOI: 10.23977/artpl.2023.040208 | Downloads: 37 | Views: 535
Author(s)
Yuan Tang 1
Affiliation(s)
1 Master of Fine Arts Program in Artistics, Krirk University, Bangkok, Thailand
Corresponding Author
Yuan TangABSTRACT
The study takes Chinese visual communication design in different eras as a vector to see the demands and influences of society on design works and designers through these refractions in design works. The main design aesthetic characteristics of "visual communication" in China in different design periods, technological development iterations, evolutionary reasons, and structural changes in the historical development of the industry are discussed as a whole. The macroscopic influences and subtle transformations of design in different historical contexts, such as socio-political, economic development, and technological innovation, are explored, and their profound relevance and inspiration are explained for reference.
KEYWORDS
Visual Communication Design, Changing Chinese Society, Chinese HistoryCITE THIS PAPER
Yuan Tang, Visual Communication Design in the Changing Chinese Society. Art and Performance Letters (2023) Vol. 4: 46-54. DOI: http://dx.doi.org/10.23977/artpl.2023.040208.
REFERENCES
[1] Ping Wang, Japanese Dictionary. 2018. 07.
[2] Zou Qichang, and Chen Zhengyang. Chinese design theory and social change "Keywords - alternative writing of design history (above)." Ethnic Art Studies 34.05 (2021): 48-59. doi: 10.14003/j.cnki.mzysyj. 2021.05.06.
[3] Carter. A Study of the Origin of Printing in China. Zhang Jinxian. Book Binding Design Course. Shenyang: Liaoning Education Press-1997:42.
[4] Lu Xun's Complete Works, vol. 6, "And Jaiting's Miscellaneous Writings, Two Collections", "The Drafting of the Title (Sixth). 1934.
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