Author(s)

Xueping Deng ¹

Affiliation(s)

¹ Specializing in Art History of Ming and Qing Dynasties, Xinyang Normal University, Xinyang, Henan, 464000, China

Corresponding Author

Xueping Deng

ABSTRACT

The palace figure paintings of the Qing Dynasty were influenced by western missionaries, emperors of the past, and they developed vigorously, especially during the Kangxi, Yongzheng, and Qianlong periods, and their development reached a scene of prosperity. This article analyzes the development of the time background and the political and cultural orientation of the imperial rule, explores the reasons for the formation of the aesthetic characteristics of palace portrait paintings in the Qing Dynasty, and analyzes the aesthetic characteristics of the palace portrait paintings in the Qing Dynasty. “The reflection of painting expression and its influence on modern painting creation. This article analyzes the ideological concepts and expression techniques of representative palace painters and palace figure paintings to summarize the main aesthetic characteristics of palace figure paintings in the Qing Dynasty. Since the Qing Dynasty was in the last historical stage of the development of traditional Chinese painting, the special historical background gave rise to a unique aesthetic approach, that is, the aesthetic standards of Western art were integrated into the traditional Chinese painting concept, which is a period of beginning to move towards the breath of modern painting Aesthetic process.

KEYWORDS

Qing dynasty, Court figure paintings, Western learning spreading to the east, Chinese and western paintings, Aesthetic characteristics

CITE THIS PAPER

Xueping Deng, An Analysis of the Characteristics of the Figure Paintings of the Palace of Qing Dynasty from the Aesthetic Perspective. Art and Performance Letters (2022) Vol. 3: 10-14. DOI: http://dx.doi.org/10.23977/artpl.2022.030503.

REFERENCES

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