Author(s)

Manrong Li ¹

Affiliation(s)

¹ Sichuan University, Chengdu, Sichuan, China

Corresponding Author

Manrong Li

ABSTRACT

As a film born in the enemy-occupied area, Bu Wancang's "The Daughters of Fisherman" constructively recreated an ideal home in the overcast enemy-occupied area with the natural scenery of Taihu Lake. The scenery of the lake and mountains and the harmonious life of fishermen together constitute a unique "landscape" in the film. By analyzing the "landscape" in the film, the author of this paper explored the expression of Bu Wancang's experience of survival in the enemy-occupied area and national identity in the film, and thus explored the possibility and path of understanding the emotional truth and national identity in the films of the enemy-occupied area through the "landscape" through the dialogue of culture and history.

KEYWORDS

Enemy-occupied area, Bu wancang, "the daughters of fisherman", Landscape

CITE THIS PAPER

Manrong Li, The Construction of "Landscape" and National Identity in the Film "the Daughters of Fisherman" in the Enemy-Occupied Area. Art and Performance Letters (2022) Vol. 3: 68-72. DOI: http://dx.doi.org/10.23977/artpl.2022.030314.

REFERENCES

[1] Tingmin Lu. Self-preservation of an isolated creator - From "Why Not Her" to "The Daughters of Fisherman", the reasons for the diminished progressiveness of Bu Wancang's films [J]. Art and Literature for the Masses, 04 (04), pp.193-194, 2018.
[2] Wangli Huang, Ping Leng. A Study of Bu Wancang's films during the fall of the "lonely island" [J]. New Films, 04 (05), pp.46-52, 2015.
[3] Compiled by Lianggong Sun. A record of atrocities committed by the Japanese army in the fallen areas [M]. Beijing: China Literature and History Press, 2016, pp.98.
[4] Shengsui He, Maiqing Chen. The history that should not be forgotten: the war factual record of the second: the painful history of the fall (Book 1) [M]. Shanghai: Fudan University Press, 199, pp. 45.
[5] Zengyu Pang. Places and sceneries south of the Yangtze River as depicted in the imperial context and in films of colonialism [J]. Journal of Xiamen University (Arts & Social Sciences), 04 (02), pp.61-67, 2021.
[6] Xiaoli Liu. Poetics and politics in the Manchukuo's natural landscape narrative--A study of Shan Ding's novel The Green Valley [J]. Journal of Shenyang Normal University (Social Science Edition), 42 (02), pp.45-51, 2018.

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