Author(s)

Chen Yijia ¹

Affiliation(s)

¹ Department of Chinese Culture, Hong Kong Polytechnic University

Corresponding Author

ABSTRACT

Qian Xuan, as an important painter in the transition period from academy painting to literati painting, his pioneering role in literati painting cannot be erased. Most of Qian Xuan's paintings are integrated with his painting ideas, and the performance is strong. We can't ignore his exploration and contribution. We need to explore his unique significance and academic value in the formation of new painting style and painting history.

KEYWORDS

CITE THIS PAPER

Chen Yijia, Research on the uniqueness and vanguard of Qian Xuan's painting art. Art and Performance Letters (2022) Vol. 3: 9-12. DOI: http://dx.doi.org/10.23977/artpl.2022.030302.

REFERENCES

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[3]James Cahill, "Ch`ien hsuan and His Figure Pantings." Archives of the Chinese Art Society of America, 12(1958), pp.11-29.
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[5]Richard Edwards, "Ch`ien hsuan and Early Autumn", Archives of Chinese Art Socisty of America, No.7,(1953), pp71-83.
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[7]Wen Fong, Maxwell K.Hearn, "Silent Poetry: Chinese Paintings in the Douglas Dillon Gallries", The Metropolit Museum of Art Bulletin, New Series, Silent Poetry: Chinese Paintings in the Dougles Dillon Galleries.(Winter,1981-1982), Vol.39, No.3, pp.36.
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