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The Application of Mass Therapy in Dance from “ stepping dance”

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DOI: 10.23977/artpl.2022.030202 | Downloads: 4 | Views: 646

Author(s)

Jia-qi Wang 1

Affiliation(s)

1 Ningxia University, Yinchuan Ningxia,750000, China

Corresponding Author

Jia-qi Wang

ABSTRACT

Dance therapy as a cross subject study, psychology and medicine, the use of dance or action process for individual emotional, cognitive therapy include physical barriers, and the mass of dance therapy is to point to in daily social life, the use of individual independence or passive or impromptu dance movements, given personal body function and mental emotion to relieve and release, In order to achieve the effect of dance therapy. As a kind of self-entertaining mass dance with a long history in China, outing song has always demonstrated the mass therapeutic application of dance. Firstly, from the primitive period to the feudal society, outing song was a widely circulated self-entertaining folk dance activity in the Central Plains from Han nationality to ethnic minorities. Along with the historical changes, the development of Tsing can be divided into two main lines. One is the changing Tsing that can be traced in the Tibeto-Burman language groups -- Sarang of Qiang nationality; the other is the contemporary square dance with a wide audience in today's society. Therefore, we can start from the two paths of ancient and contemporary Tage to explore how "Tage" uses its own various elements to carry out mass rehabilitation and treatment, so as to achieve the harmony and unity of body, mind and soul.

KEYWORDS

Tage, Dance therapy,The mass,Square dancing

CITE THIS PAPER

Jia-qi Wang, The Application of Mass Therapy in Dance from “ stepping dance”. Art and Performance Letters (2022) Vol. 3: 6-11. DOI: http://dx.doi.org/10.23977/artpl.2022.030202.

REFERENCES

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[3] Li Weixiao (2014). The origin of dancing therapy [M]. Beijing: China Light Industry Press, pp:50.
[4] Zhou Yuan, Mao Hui and Zhu Mei (2015). Miscellany Compilation of Historical Records of Chinese Music and Dance [M]. Shanghai: Shanghai Music Publishing House, pp:318.
[5] Mao Hui, editor (2015). Annals of Chinese Music and Dance Historical Materials twenty-five History [M]. Shanghai: Shanghai Music Publishing House, pp:318.
[6] Jia Anlin (2005). "Bonfire Dance" and "Singing together": Cultural Characteristics and functions of circle dance in Tibeto-Burman Language groups [J]. Beijing Dance Academy, no.02, pp:60.
[7] Wang Juan (2014). Introduction to Folklore [M]. Beijing: China Light Industry Press, pp:50.

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