Author(s)

Dan Cheng ¹, Menghong Peng ¹

Affiliation(s)

¹ Intangible cultural heritage research center &Arts Academy, Shaoxing University, Binhe community, Tashan street, Yuecheng District, Shaoxing, China

Corresponding Author

Menghong Peng

ABSTRACT

Chinese classical garden art focuses on diverse spiritual expressions, and often uses cultural allusions to interpret the emotions and ideals of the garden owner. The names of multiple scenic spots of the garden together constitute a symbolic world of time and space, which brings certain challenges to the popular science of Chinese classical garden. This article outlines the historical context of "the secluded conception of 0smanthus bushes in the hills" from the generation of idea to the modeling of the physical environment. Taking the scenic spot named Small Hill and Osmanthus Fragrans Pavilion in the Master-of-Nets Garden as an example, it focuses on analyzing the physical space pattern of this pavilion, the relationship between material elements and the cultural connotation of various titles. The meaning of the name of a scenic spot is not self-sufficient. It needs to be interpreted and extolled by the integration of material elements such as mountains, water, plants, seasons, and spiritual elements such as poetry, calligraphy and painting, so as to lead the meaning to infinity. This is the key reason to the generation of the poetic conception of ancient Chinese gardens.

KEYWORDS

Scenery supporting from; Small Hill and Osmanthus Fragrans Pavilion; Master-of-Nets Garden; Hermit culture; Borrowed Scenery

CITE THIS PAPER

Dan Cheng, Menghong Peng, Research on the Formation of Poetic Conception of Small Hill and Osmanthus Fragrans Pavilion in the Master-of-Nets Garden. Art and Performance Letters (2022) Vol. 3: 84-90. DOI: http://dx.doi.org/10.23977/artpl.2022.030118.

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