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Three Evolutions of Western Time Art

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DOI: 10.23977/artpl.2022.030115 | Downloads: 8 | Views: 911

Author(s)

Xianghui Wang 1, Yi Zhang 1

Affiliation(s)

1 Tongji University, Shanghai, 200092, China

Corresponding Author

Xianghui Wang

ABSTRACT

Time passes on just like running stream, not ceasing day or night! Time is one of the oldest propositions, and it is also an entity full of mysterious power. The expression of time in art shows a splendid light. Since its beginning, the study of time art has gone through ancient civilizations and classic periods. The concepts of “time”, “intuition” and “during” by Henri Bergson bring about the turning of the art of time, which makes the ancient linear view of time not be affected obviously then. In the later period, Gilles Deleuze completed the visualization of time philosophy and released the life of time art. His theory about film art reversed the traditional positions of the creators and audience -- after the creator acts as a guide, he immediately makes the audience the master of the movie, extracting pure audiovisual images, which also becomes the extension of time itself.

KEYWORDS

Time, Art, Freedom, Metaphysics, Generate

CITE THIS PAPER

Xianghui Wang, Yi Zhang, Three Evolutions of Western Time Art. Art and Performance Letters (2022) Vol. 3: 70-75. DOI: http://dx.doi.org/10.23977/artpl.2022.030115.

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