Author(s)

Wang Cheng ¹, Yang Xingyu ¹

Affiliation(s)

¹ School of Art , Anhui University of Finance and Economics, Bengbu, Anhui, 233030, China

Corresponding Author

Wang Cheng

ABSTRACT

Export painting is an artistic commodity that combines the eastern and western painting skills to describe the natural humanities, folk customs, production and life, festivals and entertainment in China. There are mainly four varieties: oil painting, glass painting, paper watercolor painting and grass paper painting. It has the cultural value of recording the historical features of the city, enhancing the academic value of academic research, the historical literature value of historical research, and considerable commercial value as a work of art. Under the initiative of "the belt and road initiative", export paintings should pay attention to the construction of export paintings publications and academic research, build the brand power of export paintings art and culture, and give full play to the role of universities in artistic and cultural exchanges, so that export paintings can still be colorful in modern and contemporary times.

KEYWORDS

Maritime silk road, Guangzhou export paintings, Artistic features, Development in the new era

CITE THIS PAPER

Wang Cheng, Yang Xingyu, Research on the Artistic Characteristics and Development of Guangzhou Export Paintings from the Perspective of Maritime Silk Road. Art and Performance Letters (2022) 3: 56-59 DOI: http://dx.doi.org/10.23977/artpl.2022.030112.

REFERENCES

[1] Jiang Yinghe(2007). Western paintings in Qing Dynasty and Guangzhou Port . Zhonghua Book Company,pp.208.
[2] Kong Peite(2014).Thirteen Lines in Guangzhou: Foreign Merchants in Chinese Export Paintings (1700-1900). Commercial Press,pp.9.
[3] Wang Qingsheng(1991).Painting-the collision between Eastern and Western cultures. Peking University Press,pp.90.
[4] Chen Yaxin(2018).Review and prospect of the study of export paintings in Qing Dynasty. Academic Research,no.7, pp.154-161+178.

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