Strategy of Stage Performance Training in Vocal Music Singing Teaching in Colleges
DOI: 10.23977/avte.2021.030317 | Downloads: 8 | Views: 770
Author(s)
Liang Mingming 1
Affiliation(s)
1 Yangtze University, Jingzhou, Hubei, 434000, China
Corresponding Author
Liang MingmingABSTRACT
In the process of vocal music singing teaching in colleges, it is important to cultivate stage expression ability, which determines the music and artistic ability of students to a large extent. Based on the actual situation of vocal music singing teaching activities in colleges, many teachers still have significant deficiencies in the training of stage performance. This article first elaborates on the importance of stage performance training in the teaching of vocal music in colleges. On the basis of clarifying the current situation of stage performance training, we explore effective strategies for training stage performance from four aspects. For example, improving teachers’ stage performance teaching awareness, increasing students’ stage practice frequency, paying attention to students’ psychology and encouraging students to actively carry out secondary creations.
KEYWORDS
Vocal singing, Stage performance, Stage practice, Psychological qualityCITE THIS PAPER
Liang Mingming, Strategy of Stage Performance Training in Vocal Music Singing Teaching in Colleges. Advances in Vocational and Technical Education (2021) Vol. 3: 78-81. DOI: http://dx.doi.org/10.23977/avte.2021.030317.
REFERENCES
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[2] Wang Shan (2020). Analysis on the cultivation strategy of stage expressiveness in vocal music singing teaching. Northern Music, no.15, pp: 173-174.
[3] Liu Huizhuan (2020). Research on the Cultivation Strategy of Stage Expression in Vocal Music Teaching in Colleges and Universities. Northern Music, no. 9, pp: 111-112.
[4] Li Shijin, Li Zilong (2020). An analysis of the importance of stage expressiveness in vocal music singing. The Voice of the Yellow River, no.07, pp: 21.
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[6] Sun Aina, Feng Hui (2020). Analysis of the cultivation strategy of stage expressiveness in vocal music singing teaching. Drama House, no.9, pp:171.
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