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Image Screen Analysis under the View of Cinematography

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DOI: 10.23977/artpl.2021.22017 | Downloads: 2 | Views: 782

Author(s)

Miao Yiheng 1

Affiliation(s)

1 Communication University of Beijing, Beijing, 100024, China

Corresponding Author

Miao Yiheng

ABSTRACT

From novel to film to adaptation, the author tries to analyze the thinking and artistic creation characteristics of the two works of A Q Zhengzhuan. The novel analysis starts with Lu Xun's literary view, writing intention and the language and character shaping characteristics of his works, and talks about his works from his personal reading feelings.

KEYWORDS

Adaptation, “ a q zhengzhuan ”, The law of spiritual victory

CITE THIS PAPER

Miao Yiheng. Image Screen Analysis under the View of Cinematography. Art and Performance Letters (2021) 2: 93-95. DOI: http://dx.doi.org/10.23977/artpl.2021.22017

REFERENCES

[1] Duan Xiaoyun. Image presentation in pixel vision -- on the authenticity principle of film under digital technology [J]. Contemporary film, 2013 (03): 171-173
[2] Wei Xike. Documentary image acquisition and writing from the perspective of film and television Anthropology -- Taking the documentary Shibi of silence as an example [D]. Southwest Jiaotong University, 2015
[3] Wei Xike. Documentary image collection and writing from the perspective of film and television Anthropology: a case study of the documentary Shibi in silence [D]. Southwest Jiaotong University
[4] Yong Wenlan. Images in a cross cultural perspective: a comparative analysis of narratives in Infernal Affairs and the infernal Walker [J]. Silk Road, 2013, 000 (006): 53-55

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