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The humble opinion of the Causes about Guo Xi's Functional View of Landscape Painting

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DOI: 10.23977/artpl.2021.22010 | Downloads: 10 | Views: 945

Author(s)

Liu Wei 1

Affiliation(s)

1 School of Arts, Anhui University of Finance and Economics, Bengbu, 233030, China

Corresponding Author

Liu Wei

ABSTRACT

Guo Xi was a well-known landscape painter in the Northern Song Dynasty. In Linquan Gaozhi, he proposed the functions of landscape painting as "pleasant" and "getting my heart." Through Guo Xi’s identity and the idea of "Confucianism and Taoism", a large number of literati were selected and appointed in the Song Dynasty, forming a social background of "the prosperous era of literary rule", advocating the erudite style of writing, and the maturity of Song Dynasty landscape paintings and popularization among literati and officials. Wait for a while to explore the reasons for the functional view of Guo Xi's landscape painting.

KEYWORDS

Guo xi, the function of the landscape painting, cause

CITE THIS PAPER

Liu Wei. The humble opinion of the Causes about Guo Xi's Functional View of Landscape Painting. Art and Performance Letters (2021) 2: 58-62. DOI: http://dx.doi.org/10.23977/artpl.2021.22010.

REFERENCES

[1] (Song Dynasty) Liu Daochun, Yun Gao, notes: Song Dynasty Famous Paintings (Hunan Fine Arts Press, China 1999), p.54. (In Chinese)
[2]Zhu Liangzhi: A textual research on the relationship between Linquan Gaozhi and Neo-Confucianism in the Northern Song Dynasty (Social Science Front), (2002) No.5, p.44-55. (In Chinese)
[3]Chen Yinke: The Second Series of Manuscripts in Jinming Pavilion. (Shanghai Ancient Books Press, China 1980), p.245. (In Chinese)
[4] Zheng Wuchang: The Complete History of Chinese Painting Studies, Huang Baowu, proofreading. (Shanghai Painting and Calligraphy Press, China 1985), p.3. (In Chinese)
[5] He Zhongli: Imperial Examination Reform and the Emergence of Talents in Song Dynasty (Hebei Journal), (2008) No. 5, p.67-70. (In Chinese)
[6] Wang Lixin. An Introduction to Chinese Traditional Culture. (Beijing Broadcasting Institute Press, China 1994), p. 179. (In Chinese)
[7] Xu Fuguan. Chinese Art Spirit. (East China Normal University Press, China 2001), p201. (In Chinese)
[8] (Germany) Hegel. Zhu Guangqian, translated. AestheticsVolume One, (The Commercial Press, China 1996), p.326.335. (In Chinese)

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