Study on the Modeling Characteristics of Fengyang Phoenix Painting in Anhui Province
DOI: 10.23977/artpl.2021.22007 | Downloads: 6 | Views: 821
Author(s)
Wang Cheng 1, Liu Qingxiang 1
Affiliation(s)
1 School of Art, Anhui University of Finance and Economics, Bengbu 233020, China
Corresponding Author
Wang ChengABSTRACT
Fengyang Phoenix Painting, as an integral part of Chinese folk art, has its own strong appeal purpose and distinct expression, but it has the commonality between folk art and other arts, that is, it uses emotional expression and communication to achieve the appeal purpose. The artists of Fengyang Phoenix Painting regard emotional functionality as their modeling means and creative principle, imitate nature without sticking to natural form, and fully connect painting modeling with nature, life and human beings in a relatively free creative environment. In the form of modeling, artists understand and grasp the similarity and correlation between things, follow the basic form and growth law of natural ecology to create new modeling, and make the style painting have the basic characteristics of practicality, symbolism and stylization.
KEYWORDS
Fengyang phoenix painting, Modelling, Practicability, Symbolic, Procedural natureCITE THIS PAPER
Wang Cheng, Liu Qingxiang. Study on the Modeling Characteristics of Fengyang Phoenix Painting in Anhui Province. Art and Performance Letters (2021) 2: 44-47. DOI: http://dx.doi.org/10.23977/artpl.2021.22007.
REFERENCES
[1] X. H. Heng, “The origin and color characteristics of Phoenix painting and Tianguan painting in eastern Anhui”. journal of chuzhou university, vol.22, no.1, pp.13 - 19, 2020.
[2] Q. Zhang, “A Study on the Artistic Expression Language of Fengyang Phoenix Painting”. Anhui University of Finance and Economics, 2012.
[3] W. T. Yao, J. F. Yue, “Expression Techniques of Fengyang Phoenix Painting in Anhui Province”,Beauty and Times(Part Two), no.3, pp.112-113, 2016.
[4] Z. Jie, “Research on the Modeling and Color of Chinese Folk Paper-cut Animation”. shandong university of art & design , 2016.
[5] X. L. Liu, “Protection and Development of Fengyang Phoenix Painting from the Perspective of Intangible Heritage “, journal of chuzhou university, vol.19, no.1, pp.14 - 29, 2017.
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