Education, Science, Technology, Innovation and Life
Open Access
Sign In

Interpretation of the Image of Lingjiatan Jade Eagle

Download as PDF

DOI: 10.23977/artpl.2021.22005 | Downloads: 15 | Views: 963

Author(s)

Huang Xiaoman 1, Wang Cheng 1

Affiliation(s)

1 School of Art, Anhui University of Finance and Economics, Bengbu 233030, China

Corresponding Author

Huang Xiaoman

ABSTRACT

The jade eagle found in Lingjiatan site is a cultural relic which reflects prehistoric civilization. The shape of the Jade eagle is very special for its main body is like an eagle, wings like pigs and center like the sun. Eagle, pig and star anise all represent different cultural connotations in prehistory and the combination of the three images makes the jade eagle more meaningful. From the perspective of iconology and art, this paper makes a careful analysis of the components of jade eagle, and interprets its function, original religious belief and the philosophy of early mankind.

KEYWORDS

Lingjiatan jade eagle, Images, Totem

CITE THIS PAPER

Huang Xiaoman, Wang Cheng. Interpretation of the Image of Lingjiatan Jade Eagle. Art and Performance Letters (2021) 2: 31-38. DOI: http://dx.doi.org/10.23977/artpl.2021.22005.

REFERENCES

[1] Yuan Ke, Annotations to the Classic of Mountains and Seas [M]. Chengdu: Bashu Publishing House, 1993:408.
[2] Du Jinpeng, Yang Juhua, Chinese prehistoric relics [M]. Shanghai: Shanghai Literature and Art Publishing House, 2000.
[3] Guo Dashun, Long and Phoenix Chengxiang -- The Status of Liaohe River Basin in the History of Chinese Cultural Origin from the Dragon and Phoenix Jade Carvings of Hongshan Culture [J]. culture
[4] Li Xiusong, On the Cultural Conception of Lingjiatan Jade Dragon, Jade Eagle, Jade Turtle and Jade Plate [J]. Journal of Anhui University, 2001 (6) :40-45.
[5] Luo Yunbing, Phenomenon and Related Issues of Prehistorical Pig Bone Interment in the Middle Reaching of the Hanshui River [J]. Jianghan Archaeology, 2008 (1) : 65-73.
[6] Tong Zhuchen, Explore the Origin of Private Ownership and Class in China from Archaeological Materials [J]. Archaeology, 1975(4) :213-221.
[7] Wang Renxiang. Religious significance of pig burial in the Neolithic Age [J]. Cultural Relics, 1981 (2) : 79-86.
[8] LUO Y B, also on the meaning of Chinese prehistoric pig bones burial [J]. Chinese Archaeology, 2011 (4) :65-71. (in Chinese with English abstract
[9] Li Jingjing, Aesthetic Characteristics of Prehistoric Jade in the Middle and Lower Reaches of the Yangtze River [D]. Shanghai: East China Normal University (Doctoral Dissertation), 2014.
[10] Li Zhaoyuan, Chinese Ancient Jade and Spirit Worship Culture [M]. Guangzhou: Lingnan Fine Arts Publishing House, 2013:82.
[11] Shen Congwen, Research on Ancient Chinese Clothing [M]. Taiyuan: Beiyue Literature and Art Publishing House, 2002:19-21.
[12] He Xingliang, Types of Totem [J]. Inner Mongolia Social Sciences, 1990 (1) : 79-84.
[13] Yuan K, Annotations of the Classic of Mountains and Seas [M]. Shanghai: Shanghai Classics Publishing House, 1983:338-339
[14] Yang Boda, The Identification of Chinese Ancient Jade [M]. Hangzhou: Zhejiang Literature and Art Publishing House, 2009:5
[15] Yan Wenming, Lingjiatan Jade Recognition [M]. Beijing: Cultural Relics Publishing House, 2000:155-158
[16] Wang Zhongdong, From “Separation of Heaven and Man” to “Unity of Heaven and Man” -- Xunzi's New Theory of Ecological Ethics [J]. Journal of Jiangnan University, 2019 (3) : 18-26.
[17] Chen Bohai, “Unity of Nature and Man” -- Also on the Thought Contribution of the Chinese Nation to Human Being [J]. Shanghai Culture, 2018 (8) :5-16.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.