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Cultural Research on the “Sound Landscape” of Shaanxi Native Music

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DOI: 10.23977/artpl.2021.22004 | Downloads: 6 | Views: 845

Author(s)

Lulu Hou 1

Affiliation(s)

1 Baoji University of Arts and Sciences, 721013, Baoji, China

Corresponding Author

Lulu Hou

ABSTRACT

Looking at the unique geographical features of Northern Shaanxi, Guanzhong, and Southern Shaanxi from the spatial dimension, it is bound to form their own unique “sound landscape”. Looking at the mobility of the music itself in the historical development process in Shaanxi from the time dimension And immobility will also form a new musical body. Shaanxi local music occupies an important position in the traditional cultural treasure house of our country, and is deeply influenced by natural ecology and cultural ecology. It reflects the geographical and climatic conditions and social and historical changes in different regions, and is an important carrier for recording the evolution of the times. Compared with the local music in other places, Shaanxi’s local music has many types and obvious regional differences. The genres of folk songs, instrumental music and opera are more diversified, with typical regional cultural characteristics. This article starts with the living environment of local music in Shaanxi, analyzes its development status, and proposes solutions to existing problems.

KEYWORDS

Soundscape, Native music, Development countermeasures

CITE THIS PAPER

Lulu Hou. Cultural Research on the “Sound Landscape” of Shaanxi Native Music. Art and Performance Letters (2021) 2: 18-30. DOI: http://dx.doi.org/10.23977/artpl.2021.22004.

REFERENCES

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