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Equality But Difference: Interpretation of Zhuang Traditional Gender Culture in the Context of Semiotics

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DOI: 10.23977/artpl.2021.21005 | Downloads: 15 | Views: 1485

Author(s)

Xiaofan Zhang 1

Affiliation(s)

1 Baise University, Baise, 533000, China

Corresponding Author

Xiaofan Zhang

ABSTRACT

Julia Kristeva is one of the most pioneering thinkers today. Her linguistic semiotics theory absorbs the oriental language thought, interprets the descriptions related to women in religion, art, history and culture, and explores the background of gender culture. Based on Kristeva's point of view, this paper interprets the gender culture of Zhuang in Guangxi, China.

KEYWORDS

Semiotics, Minority culture, Gender culture

CITE THIS PAPER

Xiaofan Zhang. Equality But Difference: Interpretation of Zhuang Traditional Gender Culture in the Context of Semiotics. Art and Performance Letters (2021) 2: 24-28. DOI: http://dx.doi.org/10.23977/artpl.2021.21005.

REFERENCES

[1] Hai Libo, ‘Gender equality model in Black-clothes Zhuang Traditional Culture’, Folk culture forum, April (2010),42-50(P.43)
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[3] Hai Libo, ‘Gender equality model in Black-clothes Zhuang Traditional Culture’, Folk culture forum, April (2010),42-50(P.47)
[4] Julia Kristeva, Powers of Horror, (Columbia: Columbia University Press 1982), P.91.
[5] Julia Kristeva, Powers of Horror, (Columbia: Columbia University Press 1982), P.91.
[6] Hai Libo, ‘Gender equality model in Black-clothes Zhuang Traditional Culture’, Folk culture forum, April (2010),42-50(P.48)
[7] Hai Libo, ‘Gender equality model in Black-clothes Zhuang Traditional Culture’, 2010.
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[10] A system of appointing national minority hereditary headmen in the Yuan, Ming and Qing Dynasties
[11] Julia Kristeva, translated by Zhao Liang, Chinese women, (Shanghai: Tongji University Press)
[12] Hai Libo, ‘Gender equality model in Black-clothes Zhuang Traditional Culture’, Folk culture forum, April (2010),42-50(P.49)
[13] Hai Libo, ‘Gender equality model in Black-clothes Zhuang Traditional Culture’, P.49
[14] Isabel Armstrong,‘Radical aesthetics’( Oxford: Blackwell Pub,2020)

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