Author(s)

Tam Hui Ling ¹

Affiliation(s)

¹ Department of Digital Arts and Creative Industries, Lingnan University, Hong Kong, China

Corresponding Author

Tam Hui Ling

ABSTRACT

This paper delves into the nuanced representation of femininity and virtue within the renowned series of paintings titled "Yongzheng’s Twelve Beauties," originating from the captivating era of Yongzheng in China. Through visual analysis and insightful iconographic interpretation, the study meticulously examines how these exquisite artworks mirror the prevailing social norms and beauty ideals of the Qianlong Period, providing a window into the cultural ethos of the time. By meticulously scrutinizing the harmonious blend of color palettes, composition techniques, and artistic styles evident of those artworks, emphasizing the importance of clothing choices, accompanying objects, and physical appearances, the study accentuates how these elements collectively symbolize the cultural literacy and elevated social status of the portrayed women. The paintings act as profound cultural artifacts that encapsulate the intricate tapestry of gender norms and ideals of femininity prevalent in historical Chinese society.

KEYWORDS

Chinese literati painting, Femininity, Visual analysis, Cultural literacy

CITE THIS PAPER

Tam Hui Ling. Depiction of feminine beauty and virtues in imperial paintings during the Yongzheng Period. Art and Performance Letters (2026). Vol. 7, No.1, 38-42. DOI: http://dx.doi.org/10.23977/artpl.2026.070107.

REFERENCES

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[3] Chen Y, 2015, The Transformation of Giuseppe Castiglione's Style and Operations of the Painting Academy in the Yongzhen Reign, Portrayals from a Brush Divine: A Special Exhibition on the Tricentennial of Giuseppe Castigliones' Arrival in China. National Palace Museum. 
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