Author(s)

Gan Lin ¹

Affiliation(s)

¹ Department of College English Studies, Dianchi College, Kunming, Yunnan, China

Corresponding Author

ABSTRACT

Renaissance arts which ranged from the 14th to the 17th century, represented a revival of classical learning, humanism, and artistic innovation in European countries. It pays attention to humanism, anatomy, and naturalism. Among the artists in Renaissance period, Da Vinci paid special attention to the human side of his creative characters, which can be reflected from the theme, the integration of science and arts as well as unity of reason and emotion. The humanism embodied in his works had demonstrated the essence and charm of humanist thought and exerted profound influence on later generation.

KEYWORDS

CITE THIS PAPER

Gan Lin, Humanism Embodied in Da Vinci's Works. Journal of Sociology and Ethnology (2024) Vol. 6: 166-170. DOI: http://dx.doi.org/10.23977/jsoce.2024.060624.

REFERENCES

[1] Feng Changhua. Spatial Metaphors in Da Vinci's Paintings [J]. Shanghai: Mingri Fengshang, 2017:275.
[2] Samuel Edgerton. The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe [D]. Ithaca: Cornell University Press, 2009:80-86.
[3] Yan Jiabao. Visual Science and Perspective Study of Leonardo da Vinci [D]. Taiyuan: Shanxi University, 2021. 
[4] J. A. Richardson, J. V. Field. The Invention of Infinity: Mathematics and Art in the Renaissance [M]. London: Oxford University Press, 1997: 43-61. 
[5] Ni Minling. Art and Scientific Rationality: A Study on the Perspective of Renaissance Perspective and Its Impact[D]. Shanghai University, 2018.

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