Author(s)

Gui Li ¹

Affiliation(s)

¹ Zhujiang College, South China Agricultural University, Guangzhou, Guangdong, 510900, China

Corresponding Author

Gui Li

ABSTRACT

Since the advent of sound films, audio has emerged as an indispensable component of cinematic art. The "auditory effect" experienced by the human ear is a natural response that influences both physiological and psychological processes. This phenomenon of "auditory effects" is omnipresent in our daily lives and is equally significant in the realms of film viewing and creation. This paper examines the impact of auditory effects on the expressive capacity of audio in film, grounded in the principles of psychoacoustics. It explores effective ways to leverage "auditory effects" to enhance the artistic expressiveness of audiovisual works, offering theoretical guidance and creative inspiration for sound creators in their artistic endeavors. By carefully considering auditory effects in sound creation, one can optimize the physiological and psychological impacts of sound elements, thereby augmenting the overall expressiveness and artistic quality of the work.

KEYWORDS

Auditory effects; cinematic sound; artistic expression

CITE THIS PAPER

Gui Li, The Impact of Auditory Effects on the Expressive Power of Sound Art in Film and Television. Art and Performance Letters (2024) Vol. 5: 116-123. DOI: http://dx.doi.org/10.23977/artpl.2024.050318.

REFERENCES

[1] Li Feixue. Introduction to Film and Television Sound Art [M]. Beijing: China Radio and Television Press, 2014.
[2] Wang Zhi, Li Fan. The application of psychoacoustics in film and television creation [J]. Research of Ethnic Arts, 2019, 33(04):69-76
[3] Zhang Lei, Xu Enhui. Exploring hearing from masking effect and Cocktail Effect [J]. Sound Technology, 2009(07): 6-9.
[4] Jiang Yan. Film and Television Sound Art and Production [M]. Beijing: Communication University of China Press, 2017.
[5] Lin Lin. Carry On the past and Carry on the Innovation: On the practice of film sound art creation [J]. Modern Film Technology, 2016 (12) 18-26.

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