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Cross-cultural Study of Chinese Piano Works

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DOI: 10.23977/artpl.2024.050209 | Downloads: 13 | Views: 161

Author(s)

Huang Beibei 1

Affiliation(s)

1 Henan Provincial Institute of Culture and Arts, Zhengzhou, Henan, 450000, China

Corresponding Author

Huang Beibei

ABSTRACT

This thesis aims to explore the performance and impact of Zhang Chao's "Pi Huang" and Chen Qigang's "Moment of Peking Opera" in a cross-cultural context. Through the analysis of the musical characteristics, cultural connotations, and cross-cultural integration of these two works, it reveals their unique position and significance in the cross-cultural study of Chinese piano works. Through comparative analysis, this study seeks to delve into the roles and values of these two works in cross-cultural exchanges, providing new perspectives and approaches for the cross-cultural study of Chinese piano works.

KEYWORDS

Zhang Chao, Chen Qigang, "Pi Huang", "Moment of Peking Opera", piano works

CITE THIS PAPER

Huang Beibei, Cross-cultural Study of Chinese Piano Works. Art and Performance Letters (2024) Vol. 5: 54-61. DOI: http://dx.doi.org/10.23977/artpl.2024.050209.

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