Study on the Path of Art Infiltration in Rural Community Governance within the Identity of Interest: An Analysis of the Role of Social Workers in Curating and Hosting the Exhibition
DOI: 10.23977/jsoce.2024.060115 | Downloads: 26 | Views: 527
Author(s)
Shuai Zhang 1, Jiahua Huang 1, Daizhou Li 1, Jing Long 1, Guojiao Zhang 1
Affiliation(s)
1 Rural Arts and Culture, College of Humanities and Social Sciences, Yunnan Agricultural University, Kunming, 650201, China
Corresponding Author
Shuai ZhangABSTRACT
The purpose of this study is to explore the path of art infiltration in rural community governance under interesting identity, and the role of social workers' curation and officiating in it. In order to achieve the research objective, the literature method and comprehensive theoretical analyses were used. The results of the study show that funk identity and art infiltration play an important role in rural community governance. They can enhance the cultural literacy and identity of community residents and promote community development. Social workers' curating and officiating play a key role in arts immersion. Through curation and facilitation, they help community residents better understand and appreciate art works, thus enhancing their sense of identity and participation in art and culture. In order to effectively promote rural community governance, it is recommended that the community cultural service system be improved, and that the social worker team be strengthened. It is also important to plan and organise community art activities. These measures can enhance the quality of rural community governance and improve the living standards of community residents.
KEYWORDS
Interested Identity; Artistic Infiltration; Rural Communities; Community Governance; Social Worker CurationCITE THIS PAPER
Shuai Zhang, Jiahua Huang, Daizhou Li, Jing Long, Guojiao Zhang, Study on the Path of Art Infiltration in Rural Community Governance within the Identity of Interest: An Analysis of the Role of Social Workers in Curating and Hosting the Exhibition. Journal of Sociology and Ethnology (2024) Vol. 6: 106-115. DOI: http://dx.doi.org/10.23977/jsoce.2024.060115.
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