Education, Science, Technology, Innovation and Life
Open Access
Sign In

Exploration of growth in feminist films: the evolution of subject matter and the presentation of female individual awakening

Download as PDF

DOI: 10.23977/artpl.2024.050101 | Downloads: 27 | Views: 273

Author(s)

Liu Huiying 1

Affiliation(s)

1 Sichuan University of Media and Communications, Tuanjie Street, Pidu District, Chengdu, Sichuan, China

Corresponding Author

Liu Huiying

ABSTRACT

With the continuous progress of the social economy, the social status of women has also undergone significant changes. With the further promotion of the women's rights movement, the subject matter and content of feminist films show a more diversified trend, and feminist films have experienced a course from the disappearance of the subject to the awakening of self-consciousness. In recent years, more and more films have tried to deeply explore the growth process of women, show the life experience of individual women in the form of films, highlight the struggle of women in society and compete for the right to speak. Digging deeply into the development process of feminist films can further analyze the characteristics and changes of female films in different periods and cultural backgrounds, which is conducive to a more comprehensive understanding of the impact of feminist films on audience cognition, social concepts and cultural identity. Through this study, we can better understand the evolution of women in film art, as well as the significance and enlightenment of feminist films to contemporary society.

KEYWORDS

Feminist film, Diversification, The process of growth, Right of speech

CITE THIS PAPER

Liu Huiying, Exploration of growth in feminist films: the evolution of subject matter and the presentation of female individual awakening. Art and Performance Letters (2024) Vol. 5: 1-7. DOI: http://dx.doi.org/10.23977/artpl.2024.050101.

REFERENCES

[1] Guo Peijun, A Review of Western Feminist Film Theory, Journal of Inner Mongolia University for Nationalities (Social Science Edition), 2003 (5).
[2] Li Hengji, Yang Yuanying. Selected Works on Foreign Film Theory, Beijing, Life, Reading, Xinzhi Sanlian Bookstore, 2006.
[3] Gao Yalin, Chen Jide. The Female Paradox in Realist Films since the 21st Century. Guangxi Social Sciences, 2019 (10).
[4] Sun Guanjun, "The confusion and growth of three generations of women -- Feminist expression of the movie Love and Blind Love", Journal of Guangxi Normal University of Science and Technology, 2019 (34).

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.