Author(s)

Ziran Luo

Corresponding Author

Ziran Luo

ABSTRACT

Modern painting is developing in increasingly diverse directions, and research into its formal language and techniques is gradually increasing.” Deconstruction” is common in modern Abstractpainting, and many painters use this technique to enrich the linguistic expression of modern Abstractpainting. The meaning brought by “deconstruction” is unique and worth pondering. For Abstractartists, the basis of their thinking lies in the exploration of the inner and subconscious world, the deconstruction of human self-consciousness and the expression of emotions, and their efforts to create a dreamy, mysterious and transcendent artistic environment. For Abstractpainting, this transcendence lies not only in the transcendence of the language of painting, but also in the questioning and challenging of old institutions. This essay explores the influence of Eastern culture on the creation of Western Abstractartists, the essay's characterisation of re-colour painting, calligraphy, and an in-depth analysis of the Abstractcontent in Western Abstractpainting. The paper provides an exploratory analysis and study of the 'Abstract' elements in modern artworks from three perspectives: the Abstractshape of the work, the analysis of Abstractfactors, and the principles of Abstractmodelling. Using design sketches as clues, this paper explores the 'Abstraction' of modern Western paintings.

KEYWORDS

Abstract element, Fine arts, Western modern art