Author(s)

Xin Bai

Corresponding Author

Xin Bai

ABSTRACT

Among the three categories of Chinese painting, figure painting has the most strict requirements on the screen shape, especially for the figure painting in the ink painting, which needs to be guaranteed with profound basic skills. As a key component of Chinese painting, the development of Chinese ink figure painting into the 21st century has undergone a very complicated development process, from the initial generation to the subsequent development, and then to the maturity of development. With the gradual integration of Western figure modeling concepts in China in recent years, it has brought a very strong impact and impact on Chinese figure painting. Through continuous exploration and research, He tried his best to find a new way out for ink figure painting, and strengthened the exploration and research based on the modeling concept and the pen and ink language. Based on this, the article explores the modeling concept and brush language in realistic ink figure painting, and points out its characteristics for reference.

KEYWORDS

Realistic painting, Ink figure painting, Pen and ink language, Zaoxingguan