Author(s)

Xian Pu

Corresponding Author

Xian Pu

ABSTRACT

In the dance art, Chinese classical dance art is undoubtedly the most intense subject to the impact of modernity. The essence of the reappearance and reappearance of Chinese classical dance in the contemporary era is to inherit the tradition of rites and music and surpass the shackles of rites and education, reshape the classical dance with the subject of modern significance, so as to realize the independence of aesthetic form, and then complete the creation in the name of "classical dance" through the aesthetic deformation of realism. The development of contemporary Chinese classical dance teaching system is a very core research field and fulcrum, with outstanding operability and practicality. The discussion of it can not avoid the historical fact that it starts from teaching, but also see that the continuous integration and sublimation of training value and aesthetic style is the inevitable path of the systematic development of contemporary Chinese classical dance teaching. Then, using the scientific method of morphological analysis of dance ecology, we can make a multi-level, specific and operable scientific analysis on the morphological characteristics, movement law and aesthetic characteristics of contemporary "Chinese classical dance", and strive to improve the consciousness of the cultural inheritance concept and style attribute of the dance. This paper discusses the influence of the stage image of Chinese classical dance in the historical cultural atmosphere, and emphasizes the cultural transformation and its influence on the construction of the stage image of Chinese classical dance.

KEYWORDS

Chinese classical dance; Contemporary construction; subjectivity