Splitting Into Life: The Self-Subject Construction of The Movie “Black Swan" Under The "Gaze" Theory
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DOI: 10.23977/ASSSD2022.026
Corresponding Author
Yafan Han
ABSTRACT
Darren Aronofsky's film “Black Swan” puts abstract personality expressions into the narrative of dance,and the protagonist Nina realizes self-configuration in multiple gazes.Starting from the mirror world of the film, this paper explores how the ballet dancer Nina forms the subject gaze of otherness and integrates the body image of fragments into the whole form of self.In the process of realizing self-identification, Nina formed a circular psychological structure, and the position difference of gaze determines the level of Nina's self-structure formation.Based on Lacan's "mirror" structure theory, this paper uses Lacan's "gaze" theory to interpret film language,and analyzes Nina's self-subject from the perspective of “patriarchal endorsement” mother, Nina's subject and Thomas's desire vision.
KEYWORDS
"Black Swan”, Psychoanalysis,Gaze,The main building